The Moving Picture Weekly (1920-1921)

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«<tT'S one great, big relief," says an Elxhibitor, "to see a real man play a real man's part at laist. Tm sick and tired of 'chocolate eclairs' for male leads — I want red blood — yes — but I also want a man who can act." npHAT'S MAYO. Six feet of real -L man, but also a splendidly finished actor — bom of stage family, trained and experienced in the art as very few are trained and experienced, yet able and willing to take a punch in order to put one over. See him handle his canoe and fight the "gang" in "THE BRUTE BREAKEIR" and you'll see one side of him — watch his sentiment in "LASCA" with Edith Roberts and you'll have the other. Better show your audiences both — for Frank MAYO is here to stay.