The Moving Picture Weekly (1920-1921)

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<and 1tie price v^^—l npO a theme as intimate as it is ^ human, Fannie Hurst added a tremendous new punch when she wrote "Oats and the Woman"— the source of "The Day She Paid." Add to this powerful story Francelia Billington's fascinating artistry and the wizardry of Rex Ingram's directing skill, and you have the very much worth-while kind of feature offering that you can't afford to miss. The tempter vho promised fo pay M Directed by REX INGRAM The man who Srced the payment The one who paid NIVERSAL SPECIAL ATTDACTION