The Moving Picture Weekly (1916-1917)

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THE MOVING PICTURE WEEKLY 1 BLUEBIRD PreparedRefy ProtfuctionT America is rapidly becoming an armed camp. Our part in the world's war is discussed more times in a day than any other subject. The hour of your opportunity to show PREPAREDNESS PRODUCTIONS has struck. The people are flocking to wherever war subjects are shown. Do you want these crowds to flock into your house? Then book these four redblooded and intensely gripping PREPAREDNESS DRAMAS. The Eagle's Wings'' This play has received the endorsement of highest officials in Washington. It has also received a pledge of support from the D. A. R., through their National President. It is far above any silly, weak sham battle, studio "war" picture. Rupert Julian, Ella Hall and Kingsley Benedict in "WE ARE FRENCH," formerly called "The Bugler of Algiers." A five-reel Bluebird story that sways the patriotic emotions of the audience and thrills them with a force that they seldom feel. Harry Carey and Edith Johnston in "BEHIND THE LINES," a compelling and timely picture that faithfully reproduces the actual conditions along the Mexican Border. It abounds with intrigue, love and adventure. It entrances and excites the emotions through its true atmosphere. Allen HOlUbar "treason," with Lois Wilson and Joseph Girard. These three bend ■ ■VIMIFOI their inexhaustible energies to get this true lesson in patriotism over. And they do get it over with a strength and pepthat is seldom shown. Its intense scenes and convincing pictures of modern warfare use the emotions of movie fans to their very depths. Special Posters, Heralds and Advertising Props Use these plays to raise funds for the Red Cross and other patriotic purposes. Call upon your Boy Scouts and local military societies to co-operate wit h you. They'll be only too glad to lend their assistance to make these plays a great success in your town. Book through your nearest BLUEBIRD Ex^e, OP communicate with — BLUEBIRD PHOTOPLAYS, (lnc.)» 1600 BROADWAY, NEW YORK