The Moving Picture Weekly (1916-1917)

40 -— THE MOVING PICTURE WEEKLY Music for "THE FLAME OF YOUTH" and the Universal Program Specially selected and compiled by M. Winkler, Sweet Jasmine," (4-4 Melodious Allegretto) by Bendix, is the Theme. 1. "Reverie," (4-4 Andante) by Vieuxtemps, until "Modern marriage," etc. 2. "Pensee," Intermezzo, (6-8 Largo) by Godard, until "Beppo was deeply interested," etc. 3. "Grazielle Valse," Italienne, by Kretschmer, until "Williams Springer Gordon is silent," etc. 4. "Sunshine and Shadows," (4-4 Allegretto) by Sudds, until Sir Beverly's family." 5. "Petite Bijouterie Valse," Intermezzo, by C. Bohm, until "Opals were only a side interest," etc. 6. "Admiration," (4-4 Moderato Grazioso) by Jackson, until "Sorry, gents, but this is engaged." 7. "The Booster," (heavy Trombone Rag) by Lake, pp until "There was always something," etc. 8. Continue to action until "The fight." 9. Continue ff with ad. lib. Tympany Rumbles until "The next morning." 10. "Albumleaf," (4-4 Andante) by Kretschmer, until "Jimmy was beginning," etc. 11. "Theme," until "Jimmy's destination," etc. 12. "Budding Roses" (Valse Caprice), until "This is Mr. James Gordon." 13. "Maximilian," (Dramatic and Melodious Overture) by E. Ascher, until "The bombshell." 14. "Dramatic Tension," by Winkler, until "On the island." 15. "By the River," me (12-8 Dramatic Moderato) by Morse, (Watch for =^ effects of rough sea, etc.,) until "You dog," etc. 16. ^ "Dramatic Tension," by Ascher, until "Sir Beverly was not worrying." 17. Piano Solo improvise to action, until "Flashback to island." 18. "Adoration," (4-4 Andante Moderato) by Barnard, until "Next morning inspecting the mine." 19. "Lunita," Intermezzo, (2-5 Moderato) by Loraine, until "Waiting for the finish." 20. "Yelva," (Dramatic Overture) by Reissiger with ad. lib. Tympany Roll, until "Well, well, here we are!" 21. "Long Agitato" to action, until "This is a good-looking gun." 22. "Olympia" (heavy Dramatic Overture) by Ascher, until "The fight." 23. "Long Furioso" to action, until "They escape in a motor boat." 24. Good Galop to action, until "They reach the mainland. 25. "Theme," until the end. L-KO— "Where Is My Che-ild?" (2-Reel Com.) REEL L 1. "Baby Sweetheart," by Corri. 2. "Trombone Frolic," by Lake. REEL II 3. "Baby Parade," by Pryor. 4. "High Pride," by Losey, until end. JOKER— "A Burglar's Bride" 1. "Graziosa, Mignonette," by Eilenberg, until "Every once in a while." 2. "Solitude," by Czibulka, until "When the cat's away." 3. "Sparklets," Intermezzo by Miles, until "This is Count De," etc. 4. "The Front," by Eilenberg, until end. REX— "Helen Grayson's Strategy" REEL L 1. "Serenade," by Herbert, until "Homer Grayson." 2. "Bin Maerchen," Fantasia, by Bach, until end of Reel I. REEL IL S. "Serenade," by Drigo. 4. "Heartwounds," by Grieg. 5. "Berceuse," by Karganoi, until the end. BISON— "Lone Larry" 1. "Andante Mysterioso" by Lake, until "Railroad in view." 2. Short Galop to action with railroad effects, until "Train stops." 3. Continue pp until "Jack Homer little new," etc. 4. "Violetta," a Concert Piece by Tobani, (with ad. lib. Tympany Rolls), until "When the country edition," etc. 5. "Intermezzo," by Bohm, until "A stranger arrives." 6. Open with railroad effects — followed by 7. "Western Moderato," by Bach, until end Reel I. REEL IL 8. "Romance," by Morse, until "I wired for Jim Cressy." 9. Finale from "Ariele" by Bach, until "Hit the road to Fairmount." 10. "The Chase," Grand Galop by Koelling, until "Into the Valley of the Shadow." 11. "Heart to Heart Melody," by Trinkaus, until the end. NESTOR— "Jilted in Jail" _ (Comedy) 1. "Serio Comique," by Sorensen. 2. "Knock the L Out of Kelly" (Popular), until the end. GOLD SEAL— "The Brand of Hate".... (Three Reels) REEL L 1. "Reverie," by Tschaiksowsky, until "A month later." 2. "Dramatic Andante," by Ascher, until "Fire scene." 3. Select good Hurry, until "While human lives were perishing." 4. "Erotik," by Grieg, until "The price of vanity." 5. "Love Song," by Puerner, until "After a restless night." 6. "Melody of Peace," by Martin, until end of Reel I. REEL IL 7. "Love Song," by Flegier, until "A week later." 8. "Dramatic Adagio," by Kretschmer, until "The result of his labor." 9. "Serenade" by Czerwonky. REEL III. 10. Continue Serenade by Czerwonky, until "A week later." 11. "Pensee," Intermezzo, by Godard, until "Riot scene." 12. "Hurry No. 4," by Becker, until "When the bond of perfect understanding." 13. "Berceuse," by Jamsfelt, until end. VICTOR— "A Pirate Bold" (Comedy) 1. "Sparklets," Intermezzo, by Puerner. 2. "Folic Extase," by Milok, until end. LAEMMLE— "Bartered Youth" 1. "Serenade," by Widor. 2. "Stances," by Flegier. 3. "Erotik," by Grieg, until end. VICTOR— "Puppy Love" 1. "Love Song," by Puerner, until "Mr. Kelly," etc. 2. "Sounds from Ireland," Selection, until "Up with old Sol." 3. "La Rose," Intermezzo, by Ascher, until "Mary Ann starts out." 4. "Raindrops," Intermezzo, by Saumell, until end. VICTOR— "She Married Her Husband" (2-R. Com.) REEL II. 1. "Love Is So Fickle," by Kruseman, until "The shingle is," etc. 2. "Oriental Theme," by Winkler, until "That night." 3. "Creepy Creeps," by Tyers, until "Weeks pass." 4. "Sparklets," by Herman, until end of Reel L REEL in. 5. "Gavotte," by Gossec, until "Night comes." 6. Repeat "Creepy Creeps" by Tyers, until "From Swami to Butler." 7. "Poor Relations," by Bendix. BIG U— "The.Two-Gun Parson" (Drama) 1. "Maximilian Overture," by Ascher, until "He's yeller and I'm going to prove it." 2. "Agitato" to action, until "Parson Jones had made," etc. 3. 4. "Melody," by Friml, until "The letter. 5. "Amo," 4. "Melody of Friml," until "The letter." 5. "Amo," Melody by Robyn, until the end. m