The Moving Picture Weekly (1916-1917)

Record Details:

Title:
The Moving Picture Weekly
Date:
1916-1917
Author:
Moving Picture Weekly Pub. Co.
Publisher:
New York, The Moving Picture Weekly
Volume:
The Moving Picture Weekly (1916-1917)
Leaf #:
000104
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
September 21, 2023
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The biggest and best houses in the country have picked "HELL MORGAN'S GIRL" for a winner, and it has made good their judgment by packing their theatres and paying them the biggest profits they ever got from any pictures. Here's what ''Hell Morgan's Girl'' did at the Gairick Theatre, in Los Angeles,; it packed the crowds in at EVERY performance, while the usually popular Mary Pickford, Clara Young, William Farnum, Marguerite Clark, Blanche Sweet and Annette Kellerman had a slim crowd of those who could not get into the Garrick. Dorothy Phillips work compels the almost breathless attention of the most seasoned fan. The power and dramatic force of her acting can never be echpsed by any actress. The virile, red-blooded plot holds the attention with a mighty grip. Book It At Once What "Hell Morgan's Girl" has done for hundreds of other Exhibitors it will do for you. It's a money-maker. If you are a good showman — a real business man, you won't overlook this play, but will immediately book it through your nearest BLUEBIRD Exchange, or"