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THE MOVING PICTURE WEEKLY
13
For "The Phantom Melody"
"THE PRINCE OF AVENUE A.
James J. Corbett Featured in Amusing Universal Subject Dealing with Ward Politics.
^ TRIUMPH among unique character stories is this blithe little comedy of ward politics, "The Prince of Avenue A" with James J. Corbett in the leading role. The production "hews to the line" in almost every detail and presents a story of genuine life, as humorous as it is realistic. An undercurrent of humor is felt through the number, which rises gradually to a laughable climax.
James J. Corbett appears as the hero, Barry O'Connor, son of an oldtime Irish ward boss. The character is one that fits Mr. Corbett's person
ality very well and he does some exceptionally good acting in the part, playing with effective restraint through most of the scenes. An occasional "ruction" gives him the expected pugilistic opportunities, and these are done in a satisfying way, but it is in the quieter moments that he reaches new heights as an actor. Cora Drew, Richard Cummings, Frederick Vroom and Lydia Yeamons Titus do some good work in the supporting cast.
The pictures of an Irish Ward on Avenue A are delightful and reflect credit on the director, Jack Ford. The plot incidents are in keeping with the political theme, and the social events are handled with a pleasing touch. Even the campaign cigar is not forgotten and contributes its share of the smiles. The comedy as a whole, sets a strong pace for screen stories of this type.
One-Sheet
"THE TRIFLERS."
Edith Roberts Gives Pleasing Portrayal of Girl with Social Ambitions in Universal Feature.
THE Universal six-part production, "The Triflers," featuring Edith Roberts, is an entertaining adaptation of a story by Joseph Franklin Poland, carefully directed by W. Christy Cabanne. It may be truthfully said that the star is the picture's chief charm, so accurate is her conception of the character of the shop girl whose scheming to taste of life among the four hundred leads her through paths which she has not contemplated. The contrast between the humble life to which Janet Randall is accustomed and that which she meets among the gay set is well drawn. The discriminating vision which she betrays in judging of the merits of the two methods of life is a happy thought removed from the usual fallen angel proposition so often presented. David Butler as the policeman sweetheart is also one of the pleasant figures of the picture. And little Ben Alexander, although not as busy as usual, proves his worth in jacking up the scene in which he appears. Forest Stanley, as Monte Moreville, makes the most of a good opportunity. "The Triflers" is a sure attraction for an adult audience.