The Moving picture world (January 1920-February 1920)

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R. A. Walsh is to make super-features exclu' siveiy. And when Realart says super-features it means just this. Mr. Walsh is to be provided with the biggest stories available, and will be unhampered by financial or time restrictions or the whims of film editors. He will choose his own stories, do the caLSting, direct his productions to meet his own ideas, and personally cut, edit and title all of his film. This is Realart production policy — to make pictures in the studio, rather than in the counting room. It is Mayflower policy. It is the policy that has made possible Mayflower's partnership with some of the world's greatest directors. It is a successful policy — as witness "Soldiers of Fortune" and "The Miracle Man." In the past, R. A. Walsh pictures frequently have bulged the lid of the box oflice cash box. Mr. Walsh now promises to rip it ofl^ altogether. He will be backed to the limit in production by Mayflower faith and Mayflower cash. Realart expects from him one of the greatest series of productions ever ofl^ered to exhibitors. REALART PICTURES CORPORATION 469 Fifth Avenue New York City