The New Movie Magazine (Jul-Dec 1933)

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New Pictures You Should See (Continued from page 49) lative cast, Muni has turned in a show that can compare with "I Am a Fugitive" or his recent stage success, "Counsellor at Law." Though Paul Muni's work shines like a beacon, all the credit is by no means his. Aline MacMahon, Guy Kibbee, Mary Astor and an old favorite of yours, Anna Q. Nilsson, press the star closely for honors. Margaret Lindsay, little English actress who scored a distinct hit in "The Narrow Cornor," does excellently in a role that we could wish were larger; and Donald Cook, Sidney Toler and that swell little juvenile actor, David Durand, all deserve honorable mention. When big pictures for the year are measured up, "The World Changes" must necessarily be considered. Its theme is something that is, or is going to be, a problem for all of us. The sheer excellence of its cast makes it worth while from an artistic viewpoint, also. All in all, "The World Changes" is something that you should see. Your reviewer is somewhat tempted to add, "And how!" A CHANCE AT HEAVEN— (Radio) — Vina Delmar has written a lot of stories for the movies, but "A Chance at Heaven" came from closer to her heart than most of them. Your reviewer happens to know that Vina Delmar lived her own life something along the lines of "A Chance at Heaven." Radio has made a pretty good film out of it. Joel McCrea and Ginger Rogers seem to be the best team that Miss Delmar has had in any of her stories. And a strong supporting cast helps to put the picture a little above the ordinary run of attractions. Marian Nixon, who scored wonderfully in "Pilgrimage," proves that there are few people on the silver screen who can be sweeter. Laura Hope Crews dominates more than one scene. Robert McWade, who deserved more praise than he received for his fine work in "Cimarron," is excellent in support. TOO MUCH HARMONY — (Paramount)— I don't quite know why, but I'm going to ask you to become reminiscent. Do you remember "Close Harmony," a show that introduced Jack Oakie, Buddy Rogers and Nancy Carroll to the movie public? It was away back in the beginning of sound pictures and came along with such as "Street Girl" and "Broadway Melody." I'll always remember it as one of the swellest shows I've ever seen. And, for some reason or other, "Too Much Harmony" brings it back to mind. There isn't any similarity in story; it's more a question of a simple charm that both productions had. William LeBaron, who used to produce musical shows on Broadway, was in charge of the picture's production, and under his guidance, Bing Crosby, Jack Oakie, "Skeets" Gallagher, Harry Green, Lilyan Tashman and Ned Sparks work together so that a fine, sparkling, newtype musical comedy is the result. Judith Allen, a lovely little lady whom your reviewer saw for the first (Please turn to page 108 } TO DYE all colored and white shoes made of smooth leather Black, apply ColorShine Black Dye. 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If you want $3.00 effect and yet wish to be sensibly economical, choose Vivani Face Powder, Rouge, Creams, Lotions, Brilliantine, Deodorant, Nail Preparations, Eyelash Preparations and Perfumes in generous and beautiful 10c sizes Be sure to say — VI VAN Ifuz JTLarfi o|r a Cu&tured \ftomnn The New Movie Magazine, November, 1933 107