Photoplay (Jan - Jun 1922)

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Also in Jersey, not far from Fort Lee: a pastoral marred somewhat by cameras ana electricians — they do need spotlights for outdoor stuff, sometimes. They are taking a medium shot of Doris Kenyon and Eddie Burns. Seated, are the director and the continuity writer TRAILING the capricious camera indoors and out is like taking a ride on the Magic Carpet. You see country roads and city mansions ; Chinese streets and court -rooms. These pictures give you a glimpse into the difficult business of making the whole world move before your wondering eyes. Against a Hollywood hill, this Mexican ranchbouse was erected, and it. and the specially constructed cactus, gave perfect satisfaction — just as real as life. If you walked around back of the house you would see a skeleton of a dwelling. But the camera shot it only from this angle, so it was all right. The sun was good this particular day, yet note the reflectors at the left to intensify light on the actors When you look at this, you aren't to be blamed for thinking a studio life is the life for you. Around the Talmadge studio everyone wears a broad smile. Perhaps it s because Constance's good humor is infectious. Here are John Emerson and Anita Loos directing a group of Follies chorines for Polly of the Follies.'" Connie is Miss Fatima; Anita, the French doll 29