Photoplay (Jul - Dec 1936)

Record Details:

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BY RUTH WATERBURV J GAVE the Photoplay Medal for the picture you voted as the best of 1935, "Naughty Marietta," to Nelson Eddy one recent warm spring evening in Manhattan. It was the night of his final broadcast for the season. The next day he was returning to Hollywood to resume his picture career, so the occasion had special meaning for him. Only the week before he had fainted just as he signed off the air, the whole six feet of him sprawling out upon the carpet under the microphone. He had collapsed that evening from overwork and fatigue, though the immediate cause was his stopping to give dozens and dozens of autographs to the great crowd of fans who had rushed into the room. He stood there writing in that dead, oppressive air of a radio studio until he couldn't take it any more. But the evening of the medal award he was feeling fit and gay and after we had gone through the inevitable formality of taking pictures of I he event, he began to be natural and went bounding all over the studio, hi! ting the medal on things to make sure it was really gold. (It really is.) Nelson Eddy rece:ves, for M G-M. Producer Hunt Stromberg (left). Jeanette MacDonald. Mr. Eddy's co-star, and others of the cast of "Naughty Marietta," Photoplay's Medal for the best picture of 1935. ^^TATCHING him, beaming upon him if the t nil li must be told, I realized that here is the best example of the public's intuitive response to the genuine personality of an actor. The public senses instantly what a thoroughly hue, thoroughly unspoiled person this Eddy man is, and reacts accordingly. Since "Naughty Marietta" no other man has in any way approached his record for Ian letters received, even though the screen is yet to present him to the best possible advantage.