Photoplay (Jan-Jun 1963)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

HOW HE GOT THAT WAY! PART II Now that World War II was over, and his honorable if somewhat beerstained discharge papers tucked safely away, Richard Burton got back to serious work with P.H. Burton, his theatrical mentor. In early 1946, Richard made his professional acting debut, playing in repertory companies throughout South Wales — in Neath and in Swansea, in Cardiff and Carmarthen and other cities and towns. In early 1947, at P.H.’s suggestion, Richard applied for a scholarship to Oxford. And to almost everybody’s amazement — except P.H.’s — Richard got it. At Oxford, where he reportedly excelled in academic studies (he was aiming for a doctorate in Italian literature), Richard naturally took part in the university’s theatrical productions. And it was during a performance in one of these productions that he was spotted by the famous actor-playwright Emlyn Williams. Backstage that night Williams had a short talk with Richard. The gist of it was this: “Come to London. The London theater is ready for you. You, young man, are most certainly ready for the London theater.” Richard hesitated for a while — for about six months, in fact. But one day he did leave Oxford; he caught a train for the capital of the British Empire and the British theater. And on a night in (Please turn the page)