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Nellie Manley designed this coif for Susan Hart. Miss Manley brushed Susan's hair well after the setting to bring out natural highlights. The back was coiled into a French roll, the sides blended in, the top hair backcombed and smoothed high into a coronet of ringlets.
After setting Laurel Goodwin’s long blond locks, stylist Virginia Darcy brushed thoroughly. Then she divided the back into three sections and twisted them into a high coronet. Thick bangs brushed forward create a lovely setting for her sparkling Deb Star tiara.
Stylist Leonora Weaver loves the look of this towering hairdo on Sandra Descher. Miss Weaver parted the back into two sections, swept both upwards and secured them near the roots with rubber bands. Crepe wool padding adds more height to the crown.
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To Karyn Kupcinet’s coffeecolored hair, Eve Ewing added highlights with an enriched shampoo. The setting: large rollers for body, brushing for gloss. The back was swirled into a low French roll, the front teased for fullness. Kiss curls completed the feminine look.
For pretty Brenda Scott, I Carmen Dirego designed j this swirl-topped hairdo. He I used a protein shampoo to j add body to Brenda’s dark I hair; then he set it on graduated rollers, pin-curls high up the back. The comb-out. plenty of brushing to shape side waves, a high crown.
Lana Wood’s side-tilted hairdo began with a side-tilted setting. (Her light blond hair is about four inches long.) The comb-out: stylist Barbara Lampson used a brush to tease for height and fullness. Then she carefully smoothed the hair from right to left, front and back.