Photoplay (Jan-Jun 1963)

Record Details:

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Sheila James’ sparkling ginger hair was styled by Helena King. First, it was set on large rollers with pincurls at the back to add body. Then, after lots of brushing, the back was coiled into a high French roll, the front softly curled and blended over the crown. Roberta Shore's ash blond hair was styled by Edith Westmore. She parted off four sections at the back in the shape of a low cross. Then she contoured waves at the sides, back combed the crown, twirled two curls high for a rounded look and finished all with hairspray. Lovely Joan Freeman’s high-do was styled by Ray Forman. After setting her blond hair on small rollers, he parted it into two sections. The back was rolled into a smooth French twist, the top, back combed. Final touch: a circlet of hair swirled up from the crown. / (*T) C±J G3Dn CD (CD QT) dude cD aSD 5c±d cD <p ap Cp 4^ C3 ! cn> <TB (D CD Ep ( \ <±s <h> <D <ri> ip j \(+B<tD P (Dip/ CTCDCpiDE! qpmcjCy! \ r / For Lori Martin — a high crown of ringlets and a sweep of bangs became the base for her Deb Star tiara. Stylist Hedy Mjorud set her hair on large rollers, then brushed it thoroughly. The back is sleeked into a French roll, the sides pulled smooth and softly rounded. Patty McCormack likes to wear her long hair down, and here’s how Naomi Cavin did it: after a rich shampoo and creme rinse, she set it on graduated rollers. Then Miss Cavin brushed soft waves downward, lifted bangs, teased the crown to round out the silhouette. Stand-up pincurls gave extra body and bounce to Mimsy Farmer’s lovely style. First her hair was brushed, then spiraled high into a roll at the crown. The front and sides were molded into waves. To add luster to Mimsy’s hair, stylist Jean Burt used a protein rinse. \ (V