Photoplay (Jan-Jun 1963)

p FINISH HIGH SCHOOL AT HOME • for Better Jobs • for Better Pay • for More Security Without your high school diploma, you’ll have a hard time landing a choice job — a job that will give you good money and a real future. Look at the facts: • U. S. Government surveys show High School graduates make nearly $30 a week more than non-graduates — $60,000 in a lifetime. • Most companies now require a high school education for all but their poorest jobs. • As automation takes over, the crying need for educated people grows— but opportunities for the untrained shrink. So, if you never attended or completed high school, RIGHT NOW is the time to do something about it. Delay, and your chances for success grow dimmer. Get Your Diploma At Home, In Your Spare Time You can win your all-important diploma at home, in your spare time, just the way other Wayne graduates of all ages have. No need to quit work to attend classes. Wayne Training is accredited by the Accrediting Commission of the N.H.S.C. You get credit for subjects you’ve already completed — or we offer a full 4-year program. Our skilled instructors help you every step of the way. Simplified teaching methods. Everything is mapped out for your benefit. Free Placement Service to graduates. When you receive your diploma, you can hold your head high — you’re on the way to bigger things, a more secure future, a larger income. ,re’s what one Wayne graduate has to say: J your course in^essJ^V sUtcerely ‘"to^is^. Calka, Glen Burnie, Md. Don’t put it off! Get the facts now about completing high school at home the reliable Wayne way. If you’re 17 or over, and not in school, send coupon today for Free Book, “Graduate to Success.” Doit today! There’s no obligation. tidUbieWni ! 1 WAYNE School I 417 S. Dearborn St., Dept. 14-545 Chicago 5, Illinois Please send Free Book. “Graduate to Success,” and information on high scho&l training at home. -Age City — Zone & County -State Accredited Member— National Home Study Council out. That’s as soon as you hit the street.” I must say I felt he had given in a little easily, but was still pleased to have my freedom until I found that other studios were not exactly breaking their necks for my services. And then it began to dawn that perhaps all those publicity statements weren’t so accurate. I did one more film for Goldwyn, and be certainly got bis own back. It was an all-time stinker, called “A Kiss For Corliss” which I made with Shirley Temple. And after that — Silence! I work on the theory that when things are at their worst, that’s the time to do something really spectacular. So one day I said to Hjordis, “Come on — we’re going on holiday.” I packed her and the two boys up. drained my bank account down to the last cent, and went off to Barbados, where we bad a wonderful time. 1 had every intention of selling the big house on Pacific Palisades when I got back, and starting all over again. But it didn't work out like that. When I came back I was approached to do a play on Broadway. Not that I’d ever acted on the stage in my life, but I was prepared to have a go. It seemed like a good moment for a gamble — win it or lose it. Whalebone up my nose It was a play called “Nina” — a French farce. So French it completely baffled the New York audiences who saw it. And my leading lady was Gloria Swanson, who had just had a huge success on Broadway. I played the lover. Gloria was my mistress ami Alan Webb played her husband. See what I mean? Typically French. On the first night 1 made my entrance practically speechless with nerves. There was a glossy and expensive first-night audience in front with friends like Rex Harrison, Laurence Olivier and Vivien Leigh who really knew what they were doing on a stage. That made me feel even worse. Gloria Swanson at that time had a business interest in a fashion house. On account of this, she was allowed to design and wear her own clothes for the play. She appeared wearing what I can only continued For brunette Sandra Bettin, Jane Gordon created this charming coif. She used both rollers and pincurls to give Sandra’s long hair extra body. Then she coiled the back into a French twist that extends up over the crown and toward the front. Miss Gordon coaxed soft waves across the crown and blended them into the high chignon to secure her tiara. Sharon Lyn Hillyer’s coif is softly rounded and so flattering. Stylist Kay Reed began by setting Sharon’s dark hair on rollers and brushing it thoroughly to add sheen. (A dab of hairdressing on the ends helped, too.) Then she parted off the back and made a French roll. The finishing touch: a halo of smooth waves about Sharon’s face. 86