Photoplay (Jan-Jun 1963)

TAPE to TYPE Fred Robbins Interviews MARCELLO MASTROIANNI in Venice FRED: Marcello, I understand that “Divorce, Italian Style” has created quite a stir in Italy — its subject matter being divorce — which doesn't exist in Italy. MARCELLO: Yes, that's true. People had a good laugh during the picture, but on their way out, they gave it more serious thought. The divorce problem even was brought up again in Parliament, but, as of now, nothing was solved. The best example of that is the trouble Sophia Loren is having. I’d certainly be very happy for Sophia if this question were settled. FRED: In your opinion, Marcello, what influence do you think the great Italian directors have on American movies? MARCELLO: I do think these Italian films will influence American directors to show more realistically the truth of everyday living, of modern problems and to attempt to present some solution to these problems. The movie industry cannot persist in showing the oldfashioned, superficial kind of films — like many American pictures — sweet stories, fables, with problems which don’t interest us and are not vital to us today. I think this is where the top Italian directors will be a great cinema influence. They are showing the problems of modern man in the strange world of today — without creating a “hero-figure” in each film, as they do in America. FRED: Today Sophia Loren, an Ital ian, is one of the most popular actresses in America. After “La Dolce Vita,” “La Notte” and “Divorce, Italian Style” you could be the first Italian actor to achieve the same kind of popularity. Does that scare you? How does it feel? MARCELLO: In the beginning I was pleased to be recognized everywhere, because it was a sign of emerging popularity . . . but now it annoys me very much. There are many things I can’t do, like walking around the city, and it really interferes with my private life. But I know this is the price you pay for being popular. FRED: What satisfaction and rewards does acting give to you? MARCELLO: I think one has to examine the nature of an actor. I believe people really become actors because they don’t have too much inside of themselves. Inside of the actor there is no strong personality. Actors are like empty canvases on which each director points something different. For such a person, it’s a necessity to be something or somebody else. Hear Fred’s celebrity interviews on radio’s “Assignment Hollywood.” Let’s talk frankly about internal cleanliness Day before yesterday, many women hesitated to talk about the douche even to their best friends, let alone to a doctor or druggist. Today, thank goodness, women are beginning to discuss these things freely and openly. But — even now — many women don’t realize what is involved in treating “the delicate zone.” They don’t ask. Nobody tells them. So they use homemade solutions which may not be completely effective, or some antiseptics which may be harsh or inflammatory. It’s time to talk frankly about internal cleanliness. Here are the facts: tissues in “the delicate zone” are very tender. Odors are very persistent. Your comfort and well-being demand a special preparation for the douche. Today there is such a preparation. This preparation is far more effective in antiseptic and germicidal action than old-fashioned homemade solutions. It is far safer for delicate tissues than other liquid antiseptics for the douche. It cleanses, freshens, eliminates odor, guards against chafing, relaxes and promotes confidence. This is modern woman’s way to internal cleanliness. It is the personal antiseptic for women, made specifically for “the delicate zone.” It is called Zonite? Complete instructions for use come in every package. In cases of persistent discharge, women are advised to see their doctors. Millions of women already consider Zonite as important a part of their grooming as their bath. You owe it to yourself to try Zonite. /-JSSSTW PESfOBMAMTofe. A? ★ ''£\ • Good Housekeeping • GUARANTEES oa refund 13