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ly on Christmas Eve. The only pleasant thing there seemed to be in this was Dolores Moran’s dimple.
Your Reviewer Says: Take it away.
V The Other Love (Enterprise-UA)
FROM a sanitarium in the Alps to the fabulous life of the Riviera jumps this woman’s picture, with Barbara Stanwyck pulling the strings as the pianist of Erich Maria Remarque’s novel. Up on the mountaintop lie health for her and the love of doctor David Niven; down in bad old Monte Carlo is certain death, masquerading in a champagne glass and the lovemaking of Richard Conte, which certainly would be enough to make any girl disobey her doctor’s orders.
This all goes to make up a good oldfashioned “drawing room” movie, with plenty of glitter around the edges. The accent goes to the love -and -romance note rather than to Stanwyck’s personal tragedy; the film turns out to be a surface picture that’s not in the least emotionally disturbing. If it had gone a little deeper, there would have been lots of tears shed; as it is, nothing rings the bell loudly enough — neither Stanwyck’s love for her music, Niven’s love for her, nor her desperate attempt to escape her date with death.
Richard Conte is a tall and handsome temptation; Joan Lorring makes a nice Celestine; and Gilbert Roland is there, too, to look darkly impassioned. It’s a “romantic” movie that should have been played as tragedy and wasn’t.
Your Reviewer Says: Fair enough.
V Children on Trial (English Filins)
ENGLAND shares her juvenile delinquency problems with America in this documentary about the reformation of two slum children through “approved schools.” The court procedure of commitment of the children, their actual training in the schools and the two sample cases are shown realistically with enough punch to hit home for both parents and children.
You see the patient efforts of the magistrates and the reform-school workers to bring the children to a clearer view of their
Joan Lorring, as a Venetian servant girl in “Lost Moment,” cops Bob Cummings’s chair on the set between scenes
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