Pictures and the Picturegoer (October 1915 - March 1916)

\V' TK I XD1NO t3. l^5 pictures and the picturego Tb \\ i Mill'. No, 16: "The Man Who Stayed as Home." (tlepicorth.) "Y/OUE paper is read to tags, ['m one of the lucky devils; I 1 get it clean ami complete from 1113 sister, bill it changes hands dozens o£ timesl The lasl man maj a whole page clean enough to read or he may not." Thus writes an old reader from the trenches. Ir is indeed gratito know that Pictures is so thoroughly appreciated bv our brave boys at the Front. A great number of readers send out their own or additional copies, and the result is thai I o end of appreciative comment direct from the "boys" selves, or through their relatives. As you read a >py makes man) friends. And so it is also in the hospitals me. Our wounded Tommies -that is to say, a goodly, number of them, enjoy Pictures regularly, thanks to the' kindly thought of readers— which reminds me 1 I Cinema Ambulance Day. need to remember <iny Fawkes tin's year. Instead lember the ninth of November."' All] isked to help the wounded by going to the cinema lay next, on which day the | will be devoted to inema Trade Ambulance Fund for the purpose oi ig a complete (.'ouvoy of Fifty Motor Ambul Iritish Red Cross Society. Thirty thousand pound d to do this, and in ■ them on going to the cinema ishingin on Tuesday next. Rol naj . millions— and help swell the fun A Trio of Trumps. >od title for the three films Billy n. the famous nrnsic-ha'i rontispiece page. Film o ■ \ wrote 'onion Bpasra ' is is going "strong." Fi ast released— the film i isly waiting to samp] you seen the twelve s-l; ? \ ou , an ire not a '! '.!. post-fr cut-out of Billy Merson ■ The Cardboard Cut-outs Con;.dy. They come not as spies, bu tme first ; it may have ■ harlies.and B-illie . lifesizein cardboard, i them all and group them cardboard Madame 1 iber rrors. The cut-outs of Gal s to dream about. I saw them the other day at J. D. t's offices. I wanted to take her down Wardour Street, 1 ,11 Puhl < 1 Crushing the n Pllm " Out 1 1 right' in .. charge of " pi manj hies. II. is a thon and 1 for the com] 1 1 pineal lis) to pro of th.'in , in either direel or indirect. The 3i>rin1 lie Li unfair implii to arc hotly re lented l>\ oi ber e mallj big American arms, Ragged Raiment to Regal Robes. Picturegoers may have noticed that in many of her later films Florence Turner has had to be content to wear clothes ol the most unpretentious description. In For Her Peuj was n mill-hand ; in Shopgirl* she was just one of them ; . Fe ffi i Italian girl; in The Shepherd 1 "' li ■ is not rich. In all thi : parts, ol or clothes to -oil 1 cter. [a. Lost and IT.,,,, ■ or. Bliss Turner saw a chanc i to di »r the i ■! For this drama she spent something like B500 on her beautiful weddinj irfaich feminine admirers should mike a point of i >r if only whal they think of it. A Picture You Will Never Forget. The Dasky (Company h&ye out-La/skied themselves, if 1 ak, in the production of Carmen, which I 1 leged ly th ■ other day. It is one of th pictures] want to see again. A8.a criticsaid b er the believed snch technique ppssible in screen proion, ' The who! Is simply revel in pain. I the cinema and th rijtbout, and think you ■'•r:l!y among the brigands, the mountaii tdidly told, and Geraldine Farrar, I . in the nam bubble over an 1 i I her. 1 mid 1 can only hope that it will nol l) J WANT the 'Pictures,' but nobody *• seems to sell it in th'.s small place. What am I to do ? " THEATRE " A veritable triumph." —Daily Mail. TWICE DAILY 2.30 and 8.