Picture Play Magazine (Sep 1921 - Feb 1922)

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Advertising Section Roscoe "Fatty" Arbuckle In "The Traveling Salesman" From James Forbes' popular farce. Cosmopolitan production "The Wild Goose" By Gouverneur Morris. Thomas Meighan in "White and Unmarried" A whimsical and romantic comedy By John D. Swain. "Appearances," by Edward Knoblock A Donald Crisp production. Made In England. With David Powell. Thomas H. Ince Special, "The Bronze Bell" By Louis Joseph Vance. Douglas MacLean in "One a Minute" Thos. H. Ince production Fred Jackson's famous stage farce. Ethel Clayton In "Sham" By Elmer Harris and Geraldine Bonner. George Melford's production, "A Wise Fool" By Sir Gilbert Parker A drama of the Northwest. Cosmopolitan production "The Woman God Changed" By Donn Byrne. Wallace Reid in "Too Much Speed" A comedy novelty by Byron Morgan. "The Mystery Road" A British production with David Powell From E. Phillips Oppenheim's novel, A Paul. Powell Production. William A. Brady's production "Life" By Thompson Buchanan. Dorothy Dalton in "Behind Masks" An adaptation of the famous novel by E. Phillips Oppenheim "Jeanne of the Marshes." Gloria Swanson in Elinor Glyn's "The Great Moment" Specially written for the star by the author of "Three Weeks." William de Mille's "The Lost Romance" By Edward Knobiock. William S. Hart in "The Whistle" A Hart production A Western story with an unforgettable punch. "The Princess of New York" A British production from the novel by Cosmo Hamilton. Douglas MacLean In "Passing Thru" By Agnes Christine Johnston Thos. H. Ince production. Thomas Meighan In "The Conquest of Canaan" By Booth Tarkington. Ethel Clayton In "Wealth" By Cosmo Hamilton A story of New York's artistic Bohemia. Roscoe "Fatty" Arbuckle In "Crazy to Marry," By Frank Condon From the hilarious Saturday Evening Post story. Coming 4tM ANNUAU Cparamount WEEK PARAMOUNT NIGHT is Our J^ight too!^' ipARAMOUNT Nights at your theatre are the modern equivalent of the Thousand and One Nights' Entertainment. Each Paramount Picture you see gives birth to a desire to see the next — an endless chain of happy evenings. It does not matter which evenings in the week you go, or how often, as long as you choose the Paramount Nights, — nights bright with the subtlest magic of modern screen art, — nights planned and plotted and acted by the greatest dramatists, directors and actors of Europe and America, — dressed and staged and photographed by the most eminent technicians in the film world, — nights rich with your own reactions to the vivid, audacious life of the photoplay. It is a whole world of both realism and fantasy that Paramount Pictures perpetually create for your pleasure, a world as real as this and yet borne more magnificently forward on the shining wings of romance. Paramount offers you a portal through which you may at any time escape to the Land of Magnificent Entertainment. That portal is the entrance to the proud theatre that announces it shows Paramount Pictures. 1 1 ,200 of these theatres perpetually have "the best show in town". That's why people say "Paramount Night is Our Night Tool" They KNOW! Do you ? Cparamount pictures