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Advertising Section
Adolph Zu^or pretenii
M ALLAN DWAN production.
awjui jarceny
j~~wi0l Hope Tfampton, SNita 9\faldi, Conrad tNagcl, lew Cody
From the play by Samuel Shipman. Adapted by John Lynch
The lesson of "Lawful Larceny" is a lesson for every married couple.
Hope Hampton is the charming young wife who returns from Europe to find her husband, Conrad Nagel, snared by another.
To fly into a temper will avail nothing. To get him back by love-inspired guile and diplomacy! that is the way and that is the excitement of the photoplay.
By an unlawful larceny had he ^ been taken from her by Nita Naldi,
/ . ■ * * dangerous siren and modern Cleo
patra— and by "lawful larceny" she attempts recovery.
Does she succeed?
Don't miss seeing this great production, made by the director of "Robin Hood," the last word in marvelous settings, gowns, consummate acting and thrilling plot.
A Nation-wide Celebration of Great Artistic Advance in Screen Entertainment Paramount Week Sept. 2 — 8
WithPar amount Week the greatest motion picture season the world ever saw gets well under way.
After years of experimentation the art of the screen is coming to perfection.
The year just past has been one of extraordinary development. A single incident has been the advance showing by Paramount of the greatest photoplay ever made, "The Covered Wagon."
And now in Paramount Week you have the opportunity for a grand review of 1923's achievements and a pre-view of the great Paramount Pictures coming.
Celebrate Paramount Week at your own theatre as millions have during five previous annual Paramount Weeks.
A few of the great Paramount Pictures of the Past Season
RODOLPH VALENTINO in "Blood and Sand." A Fred Niblo Production.
JACK HOLT in "While Satan Sleeps." A Peter B. Kyne Special.
CECIL B. DeMILLE'S "Manslaughter," with Thomas Meighan, Leatrice Joy and Lois Wilson.
"THE OLD HOMESTEAD," with Theodore Roberts. A James Cruze Production.
A George Fitzmaurice Production, "TO HAVE AND TO HOLD," with Betty Compson and Bert Lytell.
A William deMille Production, "CLARENCE," with Wallace Reid, Agnes Ayres and May McAvoy. THOMAS MEIGHAN in "Back Home and Broke."
GLORIA SW ANSON in "The Impossible Mrs. Bellew." A Sam Wood Production.
A George Fitzmaurice Production, "KICK IN," with Betty Compson Sj and Bert Lytell.