Picture Play Magazine (Mar-Jul 1929)

Record Details:

Title:
Picture Play Magazine
Date:
Mar-Jul 1929
Publisher:
New York, N.Y. : Street & Smith
Volume:
Picture-Play Magazine
Leaf #:
000143
Language:
English
Subjects:
motion pictures, Motion pictures -- United States -- Periodicals
Collection:
Fan Magazines, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Began publishing in 1915; mid-level fan magazine on par with Movie Classic and Screenland. Cost a twenty five cents an issue up until pricing pressure from New Movie (c. 1932) incited an across-the-board price decrease to 10 cents. Merged with Charm in 1941, which would later become Glamour magazine (1959). -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
November 10, 2022
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21 Winks — and Blink For everyday use there is the wink, but the blink requires a technique all its own, as you can see from the examples of it on this page. For example, Clara Bow, left, promises you a jolly good time if you will put aside your knitting and prepare to make whoopee. Nancy Carroll, right, has an expression that speaks louder than words, especially if 3-our imagination takes things for granted. Emil Jannings, left, expresses shrewdly the unspoken thought that requires no A words to understand. When Chester Conklin, right, winks, he winks clear back to his ears and, for all we know, all the way round again. Fay Wray, left, without unbending in the least, conveys to those who watch her a world of understanding, subtly put over without committing herself. Esther Ralston, right, light-hearted, roguish, demonstrates the lure of the blond wink, so to speak. Ruth Taylor, left, exhibits the typical gold-digger's wink, as you can see by glancing at the calculating look in her open eye. Neil Hamilton, right, manages to look perfectly villainous, all threats and no promises, and hard-boiled enough to crack of his own accord.