Picture Play Magazine (Mar-Jul 1929)

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97 AQ ueenly Quintet Ladies of the cinema enact rulers of nations sternly or sweetly, and always as to the scepter born. Belle Bennett, above, as Anne of Austria, in "The Iron Mask,'' receives the tribute of a courtier, with the pained sweetness of a martyr to the cause of regal etiquette. In "Queen Kelly," Seena Owen, above, as the queen of a German province, takes upon herself the prerogative of a full-fledged sovereign in administering a crushing rebuke to Walter Byron. Otto Matiesen, left, is Napoleon, in "Napoleon's Barber," while Natalie Golitzin holds him in her spell as Empress Josephine. Josephine Crowell, above, as Queen Anne of England, finally yields to the persuasions of Brandon Hurst, as Barkilphcdro, and is about 'to sign a royal decree, as you will remember if you saw "The Man Who Laughs." Dorothy Cumming, right, as the Queen of Naples, in "The Divine Lady," carries on an ardent flirtation with a young officer, just to prove that a queen can do as she pleases.