Picture Play Magazine (Mar-Jul 1929)

106 Advertising Section g ftf She wants a hand fW** YOU that broad-shouldered, two-fisted chap — a man can be proud of. Let me make kind of a man! Which Looks Most Like You? See the amazing difference that muscles make in a man's appearance! What chance in life has that puny, sickly fellow at the left? But look at the same man made over into a superb specimen of physical development. Let me do the same for YOU. Let Me Make You Over Don't be a physical weakling! You can't expect the love of a woman or the respect of your fellow-men if you're only a poor imitation of a MAN. The world has no use for the pale, sickly, pepless fellow. But cheer up". You don't have to be like that! Just say the word and I'll make you over. I'll change you into a NEW man — the man you want to be — the man your sweetheart wants you to be. It's EA^Y. Friend, I'm going to make you the happiest, proudest man on two feet. Big Muscles Quick! 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Why pay more when I give pig. proof treatment FREE to all except mere curiosity seekers. Dime back if not satisfied Madame Williams, Dk-S3. Buffalo. N. FREE LARGE PHOTOGRAPH Of Your Favorite MOVIE STAR Size 8x10 with every Order of $2.00. BEAUTIFUL PORTRAITS ; t^j LATEST POSES I OF ALL THE STARS Clara Bow 3 for 50c 7 for $1.00 | 15 for $2.00 23 for $3.00 40 for $5.00 100 for $10.00 Send lor Your Favorites. FREE SPECIAL OFFER 5 LARGE PHOTOGRAPHS FREE WITH EVERY $10.00 ORDER 50 Different Poses of Rudolph Valentino HOLLYWOOD SCREEN EXCHANGE Drawer V-l. Dept. A, Hollywood, Calif.. U. S. A. John Gilbert She Acts When She Chooses Continued from page 43 and said, 'Gloria Swanson is out front to-night.' That put me in a panic. 'Oh, dear,' I sighed, 'why did you have to tell me now ? Why didn't you wait until the performance was over, so I shouldn't have to go on knowing Miss Swanson was there !' " Afterward Gloria came backstage to congratulate her. "She said very nice things," remarked Miss Joyce, "but I haven't the faintest idea what they were. I kept staring in a sort of fascination at those luminous eyes of hers. The light in the dressing room shone right across them, and they looked such an amazing blue I couldn't think of anything else." And this from Alice Joyce ! This girlish awe ! "I met Erich von Stroheim," she said, "and he made some favorable comment about my work on the stage. I wanted to make some clever answer to his praise, but I was so pleased, so flattered, I'm afraid I just stood there rather gawkily and said, 'Thank you.' Von Stroheim ! Von Stroheim congratulating me !" It doesn't seem quite credible, this girlish naivete, after years of fame and adulation, and yet, somehow, you can't question Miss Joyce's sincerity. When she describes her thrilled delight, because John Gilbert escorted her to a party, she might be any fan of seventeen. But you can't help believing she really means it. Her quiet way of speaking, her elegance, her poise, all these qualities belie such impressionableness, but at the same time convince you she is above posing, above talking for effect. "I never think of Alice as a movie star," a friend of hers told me. "She seems more like just a friend, another woman like myself." And it is quite true that Miss Joyce has none of the egoism of the actor, none of the mannerisms of Hollywood. For instance, a few months ago, she and her small daughter, Peggy, visited the convent where thirteenyear-old Alice, her other daughter, is going to school. "Alice soes to Sacred Heart in Torresdale, just outside Philadelphia," Miss Joyce explained. "She was acting in a little play, so Peggy and I went down to see her. "We had to change to a local train at Trenton, and there was quite a long wait there. Do you know what we did ?" Miss Joyce's eyes twinkled as she talked. "We took a box of lunch — sandwiches and oranges and things — and ate them sitting in the waiting room at Trenton." Just fancy! If you had been longing for a glimpse of your favorite star in person, and suddenly saw him —or her — placidly eating sandwiches out of a box in the station waiting room! Well, I assure you, if you missed Alice Joyce in Trenton, you probably never will see any such thing. Most stars would feel such conduct beneath their dignity. "Eat a box lunch in the station? Suppose some one should see me?" That would be the Hollywood reaction. Fear of imperiling one's dignity which cannot afford to be imperiled. And that's the secret of Alice Joyce. Hers can ! It is only the man not sure of himself who worries about what others will think of him. Only the woman whose dignity sits on her rather precariously fears that it will fall off. Miss Joyce doesn't need to worry. Hers is the poise, the self-assurance, which doesn't mind admitting awe in the presence of glamour ; which doesn't feel her position is endangered by eating in a waiting room. That perhaps is the secret of her continued success on the screen, despite such intermittent efforts. A role in "The Squall," recently completed ; a fling at the stage ; a role in "The Green Goddess," her next picture. Vacation, home life, travel in between. And always sure of her screen welcome when she wants to make a picture. No, she doesn't have to worry that some one else will fill her niche. She brings to the screen something very few have to offer ; youthful maturity, in addition to beauty, and a sure, quiet elegance. The grand manner in its best sense, without pose, without affectation. The personification of that misused term — a lady. That's Alice Joyce. SYMBOLIC FLOWERS Pansies Florence Vidor Lilies Lillian Gish Orchids Corinne Griffith Roses Norma Talmadge Poppies Greta Garbo Peonies . . Bebe Daniels Carnations Pauline Starke Violets Norma Shearer Forget-me-nots Lila Lee Morning Glories Bessie Love Snowballs Dorothy Mackaill Hyacinths Constance Talmadge