Radio mirror (July-Dec 1947)

Record Details:

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tm^ ofcdnrseldlwai/s use lampax! NO BELTS NO PINS NO PADS NO ODOR How could she lead the active I life she does if she didn't have Tampax to depend on during those miserable days each I month? . . . Tampax is that different kind of monthly protection you have heard about— worn internally without any belts, pins or external pads whatever! It's a very modern product indeed, invented by a doctor and now sold at practically all drug and notion counters in city or country wherever you live. And that's a fact! There is plenty -to tell about Tampax! It is fashioned of pure surgical cotton compressed in those slim white applicators for dainty insertion. Your hands need not touch the Tampax and you don't feel it when in place. It cannot cause bulges or ridges under a dress. And when disposal time comes, Tampax has only 1/15 the bulk of the "other kind." No chafing. No odor. Quick to change. Wear it in your tub or shower. Millions of women depend upon Tampax every month. The Economy Box holds four months' average supply. Three absorbency-sizes to choose from— Regular, Super, Junior. Tampax Incorporated, Palmer, Mass. Accepted for Adyerti$mg by the Journal of the American Medical Association HEW RECORDS RECOMMENDED By REN AIDEN EDDY HOWARD: Now on the Columbia label with the sprightly "Happy In Love" and the soothing ballad, "Not Mine." ERSKINE BUTTERFIELD: Stylish vocal and instrumental tricks with "Cecilia" and "S'posin." (Musicraft.) BLUE BARRON: Back on the discs via MGM records with a good double, "Tennessee" and "One Hour." The whole band does the singing. PHIL HARRIS: More southern drawl fun with "Crawdad" and "Smoke." (Victor.) BERYL DAVIS: The English canary gets a big Victor buildup but the songs, "Mother, Mother, Mother" and "You're Breaking In A New Heart" don't deserve too much attention. BENNY GOODMAN ALBUM: Capitol has a good idea in this one with B. G. demonstrating his clarinet genius first with only piano accompaniment, then with a trio, and climaxing the album with the full orchestra. Best tune, "How High The Moon." XAVIER CUGAT: Plays the best Latin-American tunes in months, "Come to the Mardi Gras" and "Miami Beach Rumba." (Columbia.) CAMPUS CLASSICS: Capitol puts its all star cast — Stan Kenton, Benny Goodman, The King Cole Trio, The Dinning Sisters, Ella Mae Morse, and Johnny Mercer — to work in tunes undergrads seem to like most. Samples, "I Get The Blues, "The Whiffenpoof Song," and "Mean to Me." PHIL BRITO: A good baritone pairs "I'm Sorry" and "Apple Blossom Wedding" for good results. (Musicraft.) Sammy Kaye (Victor) also handles the latter tune competently. JO STAFFORD: Has fun with "Feudin' and Fightin' " and then wraps up Irving Berlin's newest, "Love and the Weather." (Capitol.) Dennis Day (Victor) and Harry James (Columbia) also have discs dedicated to the Berlin hit. MEL TORME: The frog-voiced crooner gives a new treatment of "A Little Kiss Each Morning" and "One For My Baby" and the results are more interesting than melodic. (Musicraft.) LOUIS ARMSTRONG: The grand old man of jazz teams up with veteran Jack Teagarden for a swell merger of "Rockiii' Chair" and "Jack Armstrong Blues." (Victor.) DORIS DAY: Good singing of two good tunes, "Sitting Under the Apple Tree" and "Tonight Is Just A Memory." (Columbia.)