We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
DECEMBER, 19 2 9
27
A Glimpse "Behind the Mike"
During the
Palmolive Hour
By HERBERT DEVINS
NINE-THIRTY Wednesday night. To millions of radio fans from coast to coast, it means a pleasant circle about the family loudspeaker for another Palmolive hour.
To ushers and page boys at the New York studios of the National Broadcasting Company, it means another problem in higher mathematics, to make the Cathedral Studio's 400 chairs accommodate twice that number of applicants— all eager to catch a glimpse of the nationally famous Palmolive entertainers actually working before the mike.
For visitors in New York have learned the way to NBC's secluded studios, high above Fifth Avenue near Central Park. Every night brings new crowds of the curious. But the greatest number by far. week after week, storms the soundproof doors precisely at 9:30 on Wednesday night.
Those, who are
Alfred Cheney Johnston.
Olive Palmer (Virginia Rea) Exclusive Palmolive Soprano
The Inimitable Revelers. Standing, left to right, Elliot Sham, baritone; James Melton, top tenor; Wilfred Glenn, bass. Seated, left to right, Frank Black, accompanist and arranger; Lewis James,
second tenor
fortunate enough to be among the first 400 applicants for
the cards admitting them to the studio, quietly take their places a few minutes before 9 :30. At 9:29 the doors are closed and stalwart guards take their positions before evenentrance.
Guards Not Mere Ornaments
The guards are not mere ornaments. Theirs is the task of quieting the crowd of tardy arrivals and those who failed to obtain admissions in advance. A signal flashes. 9:30. "On the air !" Under no
Apeda.