Radio-TV mirror (July-Dec 1954)

Record Details:

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a telephone call from a Mr. Warburton— who had a cultured, fine voice and a broad English accent— Donald thought it was one of his pals ribbing him about a job. He began to imitate the voice at the other end of the wire and to pretend to take the matter only half seriously . . . until suddenly he sensed that this was no joke and he was spoofing his first opportunity for a job after months of making the rounds. When Mr. Warburton suggested he come to see him, Donald made the date in dead seriousness. "Until then, I was completely green and unskilled in the techniques of radio. I didn't event know how to begin learning. Charles Warburton was patient and kind, and a great teacher. He gave me my first job in radio, and he continued to use me on the program as long as he lived. I still work on it occasionally, and I still enjoy every role I do for it." Other radio jobs began to come his way rather quickly. One of the first threw him into an awful panic. It was during a fight scene on a Mr. And Mrs. North program, and suddenly he found that page 22 followed page 11 in his script! Alice Frost, then Mrs. North on radio, saw his dilemma and quick-wittedly passed the script to someone to be re-shuffled, meantime pointing to the lines in her own script for him to follow. But there were some bitter experiences mixed with all the kindnesses. "In those early months, I was the male lead in a radio show already in rehearsal. I thought everything was going all right, when suddenly I was out of the cast. I didn't know then that the man who controlled the program had an unpleasant habit of throwing people out well along in rehearsal, if he happened to feel that way. Being young and eager, I was crushed by the experience. It seemed like the end of everything. "The director of Cavalcade Of America heard about it and sent word to me that he would use me on his next show. It turned out to be the story of a young veteran, the lead part, my first really big show against the background of a full orchestra and with big-name players. The kind of opportunity I had been longing for. The important thing it taught me, however, was to have faith . . . and to know that, when one door closes, another always opens." During all these months, and even during his first motion-picture experiences, Donald was always cast as the kind of boy he really is, a darkly handsome young man with a certain air of distinction. Then, suddenly, he was cast as a young tough in "Street with No Name" — and, because of his success in the role, he went on from picture to picture, slick-haired and sinister. Accepting his fate, he made his gangster roles as realistic as he could, studying the types he had to portray, learning the jargon of the underworld — a language as foreign to him as any he had ever encountered. Not until a couple of years ago was Donald allowed to emerge from this gangster-role era. "I really owe the change to radio, and to television," he says. "And, more recently, to my crew haircut." His barber, incidentally, had to be threatened into doing it. And Janet is still taking a poll among their mutual friends, hoping to confront him with enough negative votes to persuade him to go back to his sleek, waving, side-parted haircomb. Donald rubs his hand through the stubby dark fringe that has taken the place of the old haircut, and grins. "I like it. It helped complete my change of personality, at least my professional personality. For ten years, I tried to 'go straight' and no casting director would let me. Now, you can see I am a very romantic fellow. It says so, right here in these scripts!" WE WANT TO PROVE HOW A FEW SPARE HOURS CAN EARN $5022 IN CASH! Never before a "gel-acquainted" offer like this! 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