Richardson's handbook of projection (1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MANAGERS AND PROJECTIONISTS 961 Sound Projection in Synchronization with Motion IT is with considerable trepidation that I have approached the task of preparing a Sound Volume to the Bluebook of Projection. The work has only finally been taken up because of the insistent demand of Bluebook users and at the request of my publishers, who it seems also have received many requests and demands for such a work. It is only very recently that I have considered either methods or equipment as sufficiently stabilized to warrant putting instructive matter into book form. Up to very recently changes and improvements were being made with such rapidity in all makes of sound equipment that anything put into print one month might, and very probably would, be more or less wrong and out of date next month. Under these conditions I declined to issue a Bluebook Sound Volume. However, things have now settled down to a fairly firm basis, so that while improvements and changes must still be reckoned with, still there is considerable available in the way of reliable instruction upon sound projection and sound equipment which will remain essentially correct, regardless of changes in the apparatus itself. • Moreover, the fact that sound equipment is being installed in a very large and rapidly increasing number of theatres cannot be ignored and makes it imperative that all possible reliable, available information and