Screenland (Oct 1923-Mar 1924)

Record Details:

Title:
Screenland
Date:
Oct 1923-Mar 1924
Publisher:
[New York, Affiliated Magazines, etc.]
Volume:
Screenland (Oct 1923-Mar 1924)
Leaf #:
000157
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Television broadcasting -- Periodicals
Collection:
Fan Magazines and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Mid-range fan magazine. Ran from 1920 to 1952, at which point it changed its name to Screenland Plus TV-Land. Merged with Silver Screen in 1971 and ceased publication. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
August 28, 2022
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

f^The re 's no pi a ce Ilk e home except for film wives. They Never By Eunice Marshall T Jl hey all come back, sooner or later. Once having tasted the thrill of the spotlights, all the joys of domesticity canno+ suffice to keep a former screen actress, no matter how happily married, in the home. A woman's place is on the set, and any of our late brides of filmdom will tell you so. Alice Terry, Mildred Davis, Natalie Talmadge, Mabel Washburn . . . they all exchanged their make-up boxes for a platinum circlet. They were through with pictures, they said. The only interest would be in their husbands' careers. But . . . G, The biggest surprise among the celluloid wives h-as been the return of Natalie Tahnadge to pictures. No one ever thought the silversheet could win her back. t r 1 fLMildred Davis Lloyd is returning to the screen although, when she was married, she said she was never, never going to play before the camera again. After making screen history, crochet stitches and new recipes are a bit tame. The long hours of unaccustomed idleness soon begin to pall. Even one's husband's tales of the studio, while hungrily received, fail to satisfy. The creative instinct is not to be ignored. And once an actress, always an actress. The Brides Rush Back A: ,nd so they're back at work, all the crop of young Hollywood brides. "I'm so happy !" Mildred Davis informed me, up in her gray and rose cham 61