Screenland (Oct 1923-Mar 1924)

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Lois Wilson: Moral Signpost So maybe we were wrong in our estimate of Mr. Nagel and, again, maybe they are. But Miss Wilson we are not mistaken about. She is a jolly soul and we encountered her every time we went to the Cocoanut Grove to a dance. She vowed each time that she was there for some philanthropic reason such as entertaining her class in college, or giving a benefit bridge, but we hoped she wasn't telling the truth. She is such a peach of a girl that we should like to think of her going about and having a marvelous time as a young girl should. Only, people have had her on a pedestal for so long that she seems to feel as though she has to apologize if she is having a good time. Meeting Charles de Roche The day we had luncheon with Pola Negri we stopped on the set where they were making The Cheat. Charles de Roche plays the dark-skinned man in this picture, but he wasn't playing that day. He wore civilian clothes and because his shoulders were at least 38 inches' across we thought he had on one of those horrid coats with padded shoulders ; and because of that coat we pleaded another engagement and hurried away to our rendezvous with Pola. And then we saw Charles in The Law of the Lawless, and found that those shoulders are all his own. And think how we feel ! He is, to our way of thinking, the most attractive of the leading men. They say those shoulders are even more in evidence in The Fawn, which William de Mille is making. Kenneth Harlan's Ears IMTetro put out a picture early in the season — a marvelous, colored thing called Toll of the Sea, with Kenneth Harlan playing the hero. We never had seen him in person because he absents himself entirely from New York. When we arrived in Hollywood we inquired for Mr. Harlan and learned that he was out on location and wouldn't be back for two weeks ; so we remarked idly, "What a shame !" We wanted to find out if in real life he has such beautiful pink ears as he has in the pictures. Well, on the morning after the next one we found a huge basket of flowers at our door when we awoke. It was from Mr. Harlan and the card said that he had come back from location just to prove to us that "they were"; of course we knew what he meant, and "they are." Alice Terry Is Surprising ^H/d love to meet Alice Terry," everyone says. "She looks so sweet and gentle," which in our estimation is equivalent to saying that anyone is a "nice girl." Now, Alice is not the sort who would blush with delight if you gave her a smile and I'm darn sure she never would tremble with fear at your frown. In the first place, Miss Terry has auburn hair so dark that it passes for black. She has a rapier-like wit. She dresses extravagantly, and she is a striking beauty of the Spanish type. Never have we been so surprised as when we first met Miss Terry. We, too, were all prepared for an "Alice Ben Bolt" girl. But she is a baffling sort of creature who is far more fascinating than any "sweet" girl ever could be. Rex Ingram, her directormanager-husband, says he understands her and perhaps he does. 'Our Mary" Is Wistful o record would be complete without Mary Pickford. She is the dearest little thing you can possibly imagine; and to us there is a strangely pathetic quality in her voice and in her, too, that we never can explain even to ourself. Why should Miss Pickford be wistful? She has everything in the world that any woman could want, including a terribly nice husband who is in love with her. The thought that one has a secret sorrow and that you are the one who has discovered its presence — well, that is really the one touch which makes the whole world kin.