Screenland (Nov 1929-Apr 1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

for November 19 2 9 29 Above: Director Ernst Lubitsch plays a Victor Schertzinger duet with Jeanette MacDonald, the heroine of "The Love Parade." Lubitsch is an accomplished pianist. Photo by E. Schoeiibauni Lubitsch and Chevalier agreed to limit themselves to one cigar a day. The director's eight-hour smoke shows up the star's favorite little panatella. proof camera booths) and smiled in happy approval. "Chevalier is a wonderful fellow, Bob," he said as we strolled over to the playback room to hear the result. "He has a fine figure, a splendid voice, intelligence, magnificent art, and above all — sharm'." (Lubitsch still has difficulty with his c's.) "Even his accent, instead of being a handicap, adds to his sharm. And such a gentleman, Bob, don't you think so? This has been the happiest picture I've ever made. Not a cross word or an angry look. Everybody loves Chevalier. He is just as sharming as his screen personality. No wonder he is such a colossal success." "It seems strange," he went on later as we lunched together, "that I have made so many French comedies and this is the first time Eve ever made one with a real Frenchman!" "I understand he is the greatest male IT-er of the screen. Do you think his American success will w to his Above: ten girls in the Paramount wardrobe department worked for two weeks on the Queen's beaded white satin train. Here are the workers on the job. The royal lovers in the original operetta, "The Love Parade" — Jeanette MacDonald and the star, Maurice Chevalier. head?" I asked. "You forget, Bob, he was already a tremendous success in Europe. He gets a big salary here, but he also got one there. No, he is very sensible, and, like his countrymen, he is thrifty and saving. No foolishness, no, no. Americans think the French are gay spendthrifts. But they are not. Chevalier will take good care of his future. "You'll laugh, Bob, when I tell you the greatest kick I get making this picture. It's correcting Chevalier's English! Yes, he comes to me and asks me how to pronounce words. Me! Isn't that amusing? You remember how you kidded me when I first came over. Remember, you printed a story about how I couldn't think of the word 'naked' and said I was just 'plain?' Well, now Chevalier asks me how to pronounce everything." The little episode, however, is not really (Continued on page 103)