Screenland (Nov 1937-Apr 1938)

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Th e "Swap Syste When a Hollywood producer has something another producer wants, he offers to "swap" — star, story, or director. And how do famous stars like the system? Our authentic story tells you By Liza Bobby Breen, above, may be offering to "swap" his choicest agates for some other boy's new kite. Well, it's done every day in Hollywood, on a gigantic scale. Kenny Baker's boss demanded six kids in exchange for Kenny, at right. Frances Farmer, far right, was "swapped" for Joel McCrea. Below, the picture that started the "swap" system in full force: It Happened One Night," for which Columbia borrowed Claudette Colbert from Paramount and Clark Gable from Metro-Goldwyn-Mayer. T USED to be, out in Hollywood, that a five million dollar law suit was almost as effective as a trumped ace in breaking up a beautiful friendship. In the old days if Paramount had slapped a five million dollar suit — there's nothing small about Paramount — on Goldwyn because he lured, decoyed, enticed, or shall we say snagged Gary Cooper, Goldwyn would undoubtedly have gone hog-wild with his Goldwynisms and uttered enough of them to keep the columnists in velvet for months, and columnists look very well in velvet if they don't sit too long. The Goldwyn gang would have been murderously furious with the Para gang and there would have been hot words and bloody noses over the pickled pig knuckles at the favorite snack bar. It used to be. It 26