Screenland (Nov 1950-Oct 1951)

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-smews are fun," says i, but certain questions Ser a trying time of it Please erry Moore T ask you! How can I know answers to some of the quess interviewers think of? ill, let's be sensible about this, venty-one; I live at home with and father and brother and I y lurid past either to hide or in radio when I was thirteen nagazine cover-girl at seveninder contract to Columbia nineteen and, though this ive been enough to fill my ely, I've always lived like normal, carefully-brought-up ^ve me, being interviewed is pliment — and I love it! Some ig players I know tell me it i — but it doesn't scare me. thrilling part of being a star of tells you that the road » to be pretty wonderful, ing of that, here's one of : "HOW DOES IT FEEL AR?" s, how does it feel to be a 1 matter of fact, I'm not a i asked a plumber a silly how it feels to be a i get a silly answer. But k you about being a star, ; sweetly and mutter somet's being just super and hope they'll get on to the next you're thinking in the back ;ad that being in pictures is od job that's to be done the "mow how. It means being up ry morning for weeks on end •n you wish you were a -plumbon't have to get up 'til seven) ans dusty, hot locations and d locations. It means hoping your heart and soul that the be good and that you'll be good >icture. im means being sort of set apart her people. Fans expect players fferent and are disappointed when not. nstance, when the Freedom Train hrough Hollywood, a number of people besides Glenn Ford and made appearances with it. re were three or four women stars oevies of stock girls from other >s — all done to the teeth in silks and furs and sequins. There were boys dressed by studio wardrobe nner jackets and loud sports coats, nd there was Glenn Ford in conserve business suit and black overcoat, ere was me in sweater and .skirt and In Columbia's "Freddie The Great," with Mickey Rooney. Terry is twenty-one now. Terry with Victor Mature in a scene from RKO's dramatic film, "Alias Mike Fury."