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i Lund. This was the one teenage role Mona h four different hairdos to prove it was her part.
reeman was sitting on a Paramount sound jure and was dandling her year-old daughter, roraan visitor saw them, fcters for the actors' children?" the visitor
r>retty little chin, "I'll have you ok it, I'm NO teenager!"
little rebellion against looking . She was ever so circumspect m "I won't play any more kid hat would have been a negative
/• .
r. knew that complaining would
-ching," she says.
.et, she gained ten pounds and all lore mature now. She has changed J| dually changing the type of decora^Vlona's a changed gal. Corny as it jHcally, mentally, emotionally. She has cerrific boot out of her old friends con
j?" she asks with a devilish twinkle in her 25, I've been married five years, I have a ;r. In most girls there is a very noticeable case it was delayed a bit."
of this change was the studio's interest when Mona suggested perhaps she should do some glamourous "leg art" pictures. As any movie fan knows, young stock or bit players are very glad to do "cheesecake" pictures, but when they begin to rise in . their acting careers they start protesting about leg art on the grounds that it's not dignified, not "aht" or not something. So when Mona, a well established star, volunteered to do some new leg art, the Front Office boys were happily surprised. And when they saw the proofs on this "new" Mona Freeman, it is whispered around the (Please turn to page 69)