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KNIT TRICKS g98
Coming Attractions
BY RAHNA MAUGHAN
KNIT TRICKS. Slick cotton knit that's long on look appeal from the top of its casual collar to the tip of its whistle-slim skirt. Contrast stripes create a fashion-fresh color note; the marvelous arrowhead belt nips you in tiny as can be. Red, heather grey, black. Small (7, 8, 9, 10) Medium (11, 12, 13, 14) Large (15, 16, 17, 18)
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I SKYLARK ORIGINALS. Dept. SC-9, Asbury Park, N. J.
j Please send me Style 3700 Size Color
! □ PREPAID: Add 30<r to cover postage and | handling.
■ □ C.O.D.: Pay postman amount plus C.O.D. and I handling fees.
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John Paul Jones
IT WOULD do the motion picture industry credit if producers were to discover the tremendous possibilities of American history as a source for story material. This travels in that direction but, unfortunately, the filmed biography of Americas greatest naval hero and founder of the Navy's traditions, John Paul Jones, resembles an overlong documentary, with Robert Stack playing Jones with wooden sympathy. Starting at the age of 12 when he left Scotland and went to sea, Jones' life, until his death at 45, was steeped in adventure. From the moment he assumed command of his first ship, Jones was faced with political opposition. The country was new, and the men who ran it very often inexperienced. Nor did his love life fare much better. Bowing to parental demand, Erin O'Brien ended their romance when she became engaged to Macdonald Carey (Patrick Henry). Then, during a mission to France, Marisa Pavan proved to be of royal blood, making marriage to a commoner impossible. No expense was spared in telling of one of our nation's greatest heroes — an incredible fact when you consider how many amateurish scenes were permitted to mar this story of a brilliant naval career and an extremely courageous man. (Warner Bros.)
For The First Time
IT figures that Mario Lanza should playing a tenor who paddles about hot water until some soul-shattering perience heaves him back on high grou Scheduled to sing at the Vienna Op House, Lanza, the pixie, keeps the e audience, including Zsa Zsa Gabor, w ing while he entertains the peasants v were unable to get seats. The rich c tomers are so furious. Lanza's manaj Kurt Kasznar, suggests the tempestu< tenor disappear for the nonce to so remote section of Capri. While aton for his naughtiness, he meets yoi Johanna Von Koszian, beautiful, ari; cratic and deaf. It's the magic combo t propels Lanza to noble deeds. Ph< graphed all over Europe in Technira and Technicolor, this is much easier take musically than dramatically. (MGP
Middle Of The Night
OFTEN when a stage play gets Hollywood treatment, much is ] in the shuffle of translation. One strik exception is this superbly acted drama an aging widower, Fredric March, v wants to forget the chill spectre of de and loneliness through the warmth Kim Novak. Her needs are almost acute. A model working for dress ma
PARENTAL pressure forces Erin O'Brien to give up Bob Stack in "John Paul Jones."
ROMANCE is stormy for Fredric March Kim Novak in "Middle Of The Nig