Screenland Plus TV-Land (Jul 1959 - May 1960)

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MAY BRITT continued A lissome figure, directors knew it and the screen knew it. May is what they call, with wonder in their eyes and voices, "a natural actress.'' There haven't been many of them. "She simply can't do anything wrong!" marvels one executive. But despite all this approval, May was a very lonely girl when she first came to Hollywood. She has been lonely most of her life. She took a smart little apartment but she resisted firmly the idea of acquiring any possessions other than the personal things that she had. "I wanted so to make friends," she says. "But I just didn't know how. I felt that I had a great capacity for friendship but I couldn't get people's confidence. I think I was . . . and still am . . . (here her English faltered) what you call a 'lonely wolf.' Do you know that term? I want friends but people frighten me." The idea of the beauteous May Britt being "a lonely wolf was pretty funny, but she was dead serious. She had been lonely. "I tried," she said, to do what you called 'mingling'. I went to parties and parties and parties. I even tried to give parties of my own. Now I think I shall never go to another party. I have . . . what you say? . . . had it!" She also, about then, made a serious decision. She didn't like younger men. From there on in she would concentrate BLUE ANGEL is flanked by May and her director, Edward Dmytryck. May scored in "Young Lions." Phvtos by Hamilton Millard, Rapho Guillumette i THAT LOOK in her eyes must have been noticed by Carlo Ponti who launched her career in Italian films. Later she came to U.S. LONELY until she met and married Edward Gregson, Jr., May faces another period of loneliness now that they have separated.