Silver Screen (Nov 1939 - May 1940)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

point, how to subdue a lesser one. If you really want to restyle yourself, begin with your hair. The divinely colored, soft lustrous hair, we pass up, just as we do perfect faces. They are too much in the minority, and somehow it seems that most nice girls have problems. First, let's try to develop really lovely hair to work on. A perfect permanent and a lovely arrangement are never a problem with this hair. Here, though, we are going to consider such everyday trials as: Dry hair, usually dull, harsh and like straw. A new hat even emphasizes these points, instead of doing something for you. Often you bemoan its loss of rich color and shine and the embarrassing little flakes of dandruff that sift over your darkclad shoulders. . . . Oily hair, which you wash often enough but which a few days afterwards returns to its flat, dull lifelessness. You worry, too, about a thick, oily type of dandruff that covers your scalp. This hair gives you the willies, and in spite of otherwise good grooming makes you look careless. . . . Extra-fine hair, a type you love to touch atop a three-year-old, but which on an adult is a distinct problem. Even a good permanent seems to cause these fine hairs to break or turn into a fuzz. . . . Your bleached or dyed hair begins to tell the truth. Its natural life and lustre are gone; its tone, once so beautiful, now looks artificial and in poor taste. . . . Now, every problem head listed above has something in common. These are known as "difficult" hair cases. To return your hair to normal condition, to reveal some of its old beauty, I know of no better suggestion than making an appointment at once with your hairdresser for a Fitch Reconditioning Treatment. This treatment is the result of much highly scientific laboratory work and experimentation to discover the causes of prevalent hair ailments and to correct them. The treatment consists of an examination of scalp and hair, an elasticity test of your hair, an application on dry scalp and hair of that famous IContinued on page 80] FRANK CAPRA'S GREATEST ^ ACHIEVEMENT mt of the hearts of its people . . . out of the very soil of America ... a great director creates his most stirring, human drama ... of an unsophisticated young man with a dream in his heart ... of a woman who helps make his dream come true . , . and of the laughter, the love, the pain, and the joy they share in this everyday business of living! Stirring ... in the seeing! Precious ... in the remembering! Enacted by one of the most perfect casts ever assembled! For her type. Sheila finds this simple parted-in-the-middle style of hair-do the most flattering. FftANK CAPRA'S ill SMITH Goes To^^ W^ co-starring JEAN JAMES ARTHUR * STEWART Claude RAINS • Edward ARNOLD • Guy KIBBEE • Thomas MITCHELL • Beulah BONDI Directed by FRANK CAPRA • Screen play by SIDNEY BUCHMAH A Columbia Picture for November 1939 15