Silver Screen (Nov 1939 - May 1940)

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Above: Ronald Colman and Muriel Angelus in the effectively produced, "The Light That Failed." Left: Cesar Romero, Virginia Field and Robert Barrat are in "The Cisco Kid and The Lady." Direct from the! West Coast GONE WITH THE WIND The Sensation of the Year — SelznickInternational WELL, here it is at last, the long awaited "Gone With the Wind." And, thank heavens, you can't possibly find fault with it. It really is the most wonderful, magnificent, and truly marvelous picture that you can ever hope to see — why it fairly takes your breath away it's so good. And no sourpuss can say that Hollywood messed up Margaret Mitchell's superb novel of the Old South because the picture is Margaret Mitchell's book right down to the last comma. The film runs about four hours long, and is divided into two parts, with a brief intermission so you can stretch your legs, but even with all that footage you hate to see the end. Judging from the number of books that have been sold since it was first published everybody has read "Gone With the Wind," so there is no point in even mentioning the story here. The attractive and English Vivien Leigh, as everybody also knows, won out in the heated who-will-play-Scarlett contest, and gaves a flawless performance of the conniving, selfish, rebelhous, loving, hardhearted Scarlett which is Margaret Mitchell's heroine to the life. Clark Gable, the people's choice for Rhett Butler, also gives a performance that is nothing short of brilliant. We who drool over Gable, will drool more than ever after seeing his Rhett Butler. A third magnificent per Left: Vivien Leigh as Scarlett O'Hara and Hattie McDaniell as her mammy in "Gone With The Wind," just about th; best film ever produced. Below: Olivia de Havilland about to plant a kiss on David Niven's lips in "Raffles." But look — Silver Screen