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SEPTEMBER 22, 1923
The Billboard
129
E5557
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Takes in $15 and pays out 7.50 in trade More fascinating than a roulette wheel and more profjitable than a slot machine. Interest never wears off.
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$15.00 per dozen. This is the bigcest, swiftest and surest money producer every brought out. Every sample you sell means a repeat order of one dozen to 100 boards. We haven't a sales> man who isn't selling several > dozen a day. A Dividend-Producer for the ; Merchant—It makes the spare inches of his counter pay big > dividends! The board pays for itself the first few minutes of play and makes merchants large earnings. } Start Making Real Money Now —Send for sample dozen for $9 and you'll be all ready to double your money your first hour out. 4 REMEMBER, YOU CAN'T LOSE, % AS WE GUARANTEE YOUR SUCCESS. For $1 we will send a sample board, or, if you are $} unable to send for any boards $2 now, be sure and send for FREE descriptive literature on the line of fifty boards that are sure sellers.
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WHIPS, NOVELTIES BALLOONS | SPECIALTIES, ETC.
“OAK BRAND”
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No, 75 Heavy Panel Gas. Per Gross...... scone & No. 15—Heary Cannel Gas Per Gress No 1—C ‘hin Ges. Per G
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M. K. BRODY
1118-1120 S. Malsted Street, * cHICAGO.
ATTRACTIVE FAIR PENNANTS
Fair
up in assorted shades of felt, with a large Vaf fair designs, in bright colors We can stamp ‘rticular name and date of fairs you are in
! in or supply you with standard stock devhich can be used anywhere. Write for pr t on Souvenir Fair Pennants
Greenwald Bros, 92 Greene St., New York City.
ONE BOX 8-M-M CARTRIDGES
FREE
7 cash With Order 2922
Sporting Model, Bolt Action (Mauser System) Repeating (5-Shot) 8 mm. Rifle. Front and rear sights. Tapering 22-inch round barrel, Krupp stee) Pnglish walt ut stock, pstol grip, metal butt plate and sling gwivels. Length over all, 42 Inches. Weight, 64% Tbs. Reconditioned, but guar
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J. L. GALEF 75 Chambers Street, NEW YORK CITY.
4 resonant voice that carried to every part of the house, and leading the girls onto the runway gave the patrons just a taste that made them hungry for more.
Straight Elilott and Soubret Bedford in a patter brought on Comic-in-Chief Bentley with his big violin case and miniature violin, singing several parodies that went over for repeated encores, whieh he (Bentley) fully merited.
May Belle, a slender, stately, blond prima donna, was vocally able and personally attractive in her fash of form in white tights, and on the runway May gave an artistic flash or two and had them calling for more, but ber sumber was well nigh ruined by the offensive ‘‘grind” of two fat and flabby choristers, one a red and the other a black-baired girl who played it up unnecessarily strong.
Straight Elilott staged “‘meeting women with theater ticketa’’ for the comics gnd feminine principals, followed by the kissing of girls bit for the comics.
Comic Bentley and Prima Belle, in the packing and unpacking dress-suitcase-domesticquarrel bit, put it over great.
Scene 2 was a street drop for the comics with a profile prop, ‘“‘women catching auto’’, for Ingenue Lusby and Soubret Bedford to get out, walk and be inveigled back for a ride, in which double entendre was dominant but worked sufficiently clever to be inoffensive.
Juvenile Rauth proved his ability to put over a blues song in excellent voice, and interpret a card game in a descriptive manner for a big hand.
Scene 3 was a pantomimic sketch in which Straight Elliott entices model-posing Prima Belle into his studio and frustrated by the forcible entry of Belle’s sweetheart, Juvenile Rauth, for a personal conflict with him. It was decidedly realistic, all the more so as the pantomime was maintained until the finish. During the act posing models were seen thru transparent picture frames on either side of the studio. Taking the act as a whole it was something classy for burlesque and made a fitting finale.
PART TWO
Comic Bentley came out in front of the drep to boost next week's show.
Scene 1 was an elaborate Hawaiian Island scene of splendor for Straight Elilott and Ingenue Lusby, in song, to herald an approaching ship from which a gangplank was lowered for the company to disembark for an ensemble number in Hawaiian costumes, led in song by Soubret Bedford, who put over her acrobatic dancing in an admirable manner. There are
‘few soubrets that can put it over with the
pep and personality that Soubret Bedford can, which made her offensive grind on the runwey all the more inexplicable. That it was offensive was made manifest by the exit of two women from the audience while Soubret Bedford was ‘falling’ for encores for a few morally degenerated, while the majority of the audience sat in silent disapproval.
The comics in the ‘‘dying-to-live and livingto-die’’ dialog went over for laughter and ap plause.
Straight Elilott, staging a ‘‘betting-on-boats"’
450 cambling bit for the comics, was immensely
successful.
Straight Elliett staged the ‘‘lost pockethook, she won't take it’, for additional laughter and applause,
Soubret Bedford, in a pick-out number, redeemed herself, and Gilda Brown, Bobby Fields, Miss Lang and Isabel Savoy made good in their respective turns.
Straight Elliott staged the “booze candy” for Comics Bentley and Carlton and Prima Belle worked up a laughing, gown-stripping ‘‘jag’’ exit that was a classic of clean and clever comedy that would bave been spoiled by a less clever actress,
A burlesque wedding led up to the closing ensemble.
COMMENT
The scenery, gowning and costumes are equal to many of the shows on the Columbia Circuit. The book by Tom Howard is a reproduction of the show produced by him for Billy Minsky at the Park Theater, and similar in many respects to the show of Hurtig & Seamon on the Cotumbia Cireuit produced by Joe Rose, formerly producer of Minsky shows at the National Winter Garden.
Since reviewing this show we have been advised by the Mutual Burlesque Association that Soubret Bedford had been misinformed as to what was required of her at the Star, and she has eliminated the offensive grind. which was probably as offensive to her as it was to others. This little girl is sufficiently accomplished as a soubret to make good without resorting to such action, and the choristers who persist in doing so should be driven out of burlesque.
That goes for principals as well as choristers Double entendre if cleverly handled is permissible, but when it becomes lewd those responsible should be given the gate, independent of who or what they are. Bigger and better burlesque depends on cleanliness, and it is imperative that performers give clean perform
ances. If they can not or will not give it in
burlesque drive them out and keep them out
before the reformers put the bad on burlesque. NELSE.
No. 13
TIE DEAL THAT WILL GET THE MONEY
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Price complete 39.75 20 per cent with order, balance C as 1 tke about yeu fellows is you are putting new ‘ideas, ont the
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The first man to see it ordered sixty boards. ’
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Manufacturers and Jobbers
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CINCINNATI, OHIO