The talking machine world (Jan-June 1928)

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The Talking Machine World, New York, March, 1928 Brilliancy Shrillest of strings, clarinets, tambourines — all with their side-bands or color tones— Low Notes Of the voice, of drums and other deep-toned pieces — Chromatic Notes Including delicate color-tones and shadings whose reproduction affects the entire rendition and makes it REAL — Enunciation Words containing s, t and other sounds difficult of reproduction for the average reproducer — Special Features Tinkling bells; cymbals and other secondary interpolations which the orchestra leader adds for "local color" and individuality. These Five Acoustical ou are invited to select *S a few especially intricate records — records with many climbs and falls from the easy "middle register," with hissing sibilants spoken by the human voice, with complicated overtones and fine nuances of tone variation, with subdued "local color" accessories — and try AUDACHROME on such records, comparing its performance with that of any other reproducer. This is the test that wins the listener and the test that helps dealers win the public! AUDACHROME Interprets Every Shade and Chromatic Variation of Voice and Instrument! "Faithful to the Echo"; the Most Realistic Interpreter of Acoustical Values Yet Developed! I Whenever you come across an AUDAK ^-fl equipped machine — portable or cabinet — be assured that it is a QUALITY machine. The AUDAK 565 Fifth Avenue Makers of Acoustical and Electrical