Universal Weekly (1933-1935)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Feb. 16, 1935 Carl Laemmle Anniversary Jubilee 25 STERLING CHAIN THEATRES, Inc. Roosevelt Theatre Building SEATTLE, WASHINGTON Mr. L. J. McSinley, January 4, 1935 Universal Film Exchanges, Inc., Seattle, Wash. Dear Mac: It is 20 years since I started in the show business with my first theatre, called the HIGH CLASS, on Second Avenue between Washington and Main. To the best of my recollections, Universal product was the first we bought. Their office, at that time, as far as I remember, was on Cherry Street. It was not owned by Universal, but was operated as a State Right concern. I do not remember the name of the Manager, although it might have been George Endert. If not, he might know who was the manager at that time, or you may be able to find out through some other source. In those days, there were no features. Everything consisted of one and two reels, and a contract signed was for four reels, changing daily — or 28 reels per week, at a flat rental per week. The show lasted approximately one hour, for which the admission was 5c. The music consisted of an electric organ, which played continuously. I had the pleasure of meeting Mr. Carl Laemmle in 1932. We visited for some time. Part of the conversation that I can recall at this time was — a remark he made — a promise — "we will make better pictures, because we are going out of the theatre business, and will put our time, efforts and money to making good pictures only." And that's just what they did. I have this to say about Universal pictures. Their consistent quality has greatly attributed to what little success I have achieved. Cordially yours, JOHN DANZ JOHN DANZ and his Roosevelt Theatre, Seattle, Wash. ROY PATIENCE Via Theatre Crescent City, Fla. Crescent City Amusement Company Crescent City, Fla. Jan. 28th, 1935 Universal Pictures, Atlanta, Georgia Dear Harry Recently I have read with great interest some articles relative to Carl Laemmle. As one of the pioneers in the film industry he has seen it grow to its present eminence but above all he and his associates have always had a heart for the small independent exhibitor. Uncle Carl deserves a lot of credit for helping put the industry where it is to-day. His 29 years of hard work have not been in vain and judging by the type of pictures released by his Company during the past year Mr. Laemmle will continue to lead Universal to even greater achievements. Mrs. La Bree joins me in extending congratulations to Mr. Laemmle. With kindest regards, I am, Very truly yours, (Signed) ROY PATIENCE Via Theatre