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&2 Forty-seventh Anniversary v'.' Wednesday, January 7, 1953 KKNSSf-Wa.....-, ^ fC2l * \ v .* /«,/, f s J 'j£ A oa- w . .a F^5 k^-> NOVEMBER 28, 1952 #*£? l< : .!SC.v' v :- -Editorial- "Andersen.-. . by Goldwyn — - By CHESTER B. BAH N, ■■■ — |i T HE PRODUCTION brilliance of Samuel Goldwyn, which if anything has grown the brighter with the passing of the years, was never more magnificently in evidence, never more admirably employed than in his latest art work, “Hans Christian Andersen/* - This fairy tale in rich-hued Technicolor, which has Danny Kaye in the title role giving a warmly human performance sans the clown- ing that has been his cinematic forte and which has one of France’s most talented ballerinas, Jeanmaire, not only dancing divinely but surprising you as a talented actress and singer, is as festive as the holi- day season which it enhances. And don’t let the first paragraph refer- ence to art work—and the term is used advisedly—mislead you. “Hans Christian An- dersen” is simon-pure box office, and if Goldwyn does not only recoup his investment of millions, (representing his own money, incidentally), but a very tidy profit as well, this pulse-taker among many, many others will be very surprised, indeed. + |T’S TRITE admittedly to say that “Hans done imaginative ballets, its opulent, vis- ually intoxicating settings, its tender story, honestly fanciful; its commendable perform- ances by the hand-picked cast, and its ex- cellent direction by Charles Vidor, is a pic- ture for all ages, all audiences. But how else do you say just that, anyw tj? Obviously, “Hans Christian Andersen” Ud that fullest measure of loving care whic^a Goldwyn ever gives to his productions. Don’t confuse that with the millions ex- pended in the picture’s making. There have' been other productions as costly in the past with less happy screen results. Money helps, certainly, but with a picture as with a child —and a picture is a producer’s brainchild— it’s the loving care which really counts. ASA reporter’s footnote, it might be in ** order to advise that “Hans Christian Andersen” is by way of giving Broadway a needed “shot in the arm,” with business at the Criterion and the Paris at peak. The public and the New York critics patently think alike about the picture. And when you find the mass-audience New York Daily News (four stars, if you please) and the class-audience New York Times in agree- ment on a picture’s merit, you’re in, gentle- men, you’re in. flans Christie 4„ d rge n Color by TECHNICOLOR