The vaudeville theatre, building, operation, management (1918)

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Acoustics The transmission and reflection of sound waves has now been reduced to a matter of ex- act scientific knowledge, and we are able accu- rately to solve the problem of acoustics as gov- erned by known conditions. In other words, we now know under just what circumstances a sound wave may be projected a maximum dis- tance; under what conditions it will be muffled, deadened or destroyed, and this knowledge en- ables us to secure good acoustic properties in the erection of a theatre. A sound wave starts at the origin of the sound and expands in all directions until either lost by constantly diminished power, or reflect- ed, as a ray of light would be, into other direc- tions until diminished to inaudibility. Thus, the sound originated on the stage strikes the ceiling, walls and boundaries of the space within the auditorium, and is reflected from these sur- faces to the ears of the audience. A certain portion of the expanding sound wave reaches the ear directly, without reflection. It is essen- tial that the direct wave, or spoken word trans- mitted as sound, reach the ear at the same time as the reflected wave or word. If it does not do this, then the sound or word is broken into two 25