The vaudeville theatre, building, operation, management (1918)

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or more bits, each reaching the ear an infinites- imal fraction of time apart, with the result that the word is confused, difficult to understand or to hear clearly. The ear is not sensitive enough to catch the distinct separation of these waves, except in case of a pronounced echo, but does appreciate that the sound has become muffled, indistinct and hard to "understand." To make this still more clear, let us assume that a pistol is fired on the stage. The sharp report radiates from its source in every direc- tion; that going backward is reflected out front by the back wall or the scenery; some goes up (if there is no ceiling on the set) and is lost in the rigging; some goes out into the auditorium, strikes the walls, ceilings, draperies, etc., and is by these reflected into space again, but being confined to the auditorium, does not diffuse it- self into open atmosphere. Then, part of the wave, not reflected, reaches directly from the source to the ear. Now, as sound travels with extreme rapidity, it is possible so to ar- range the auditorium that each reflected wave will reach the ear at practically the same instant as the direct wave. The surfaces which the sound is to strike must be taken into consider- ation, as to material and construction; the very high ceiling, deeply recessed box and echoing