The vaudeville theatre, building, operation, management (1918)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

doing—not for a month or so, but over a period of years. Having made a thorough investigation of all these matters, it is best to write that office which on the surface seems best equipped to handle the proposed bookings, and to make an appoint- ment for an interview with the executive head thereof. Only a personal interview can assure the builder or manager that he is safeguarding the future of his theatre. Money spent on these preliminaries is by no means wasted. Indeed, unless such safeguards are taken, the sums spent on building and equipment are quite likely to become a losing investment. The practice of booking offices, as a general proposition, is to issue to the theatre, a "fran- chise" contract for its particular city, wherein the office agrees during the term of the fran- chise, not to book any other theatre in that city. On the part of the proprietor, or manager, he agrees to use exclusively such acts or attrac- tions as are furnished by the office with which he contracts for bookings. The franchise in some instances carries a bonding clause, wherein the proprietor or man- ager is required to indemnify the booking office against loss in connection with issuance of con- tracts in the name of the theatre, and also 307