211. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: of film art born in Hollywood show that in that part of the world, as in old China
212. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: this contradiction is rendered manifest in the human face and which the film was the first
213. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: 76 THEFACEOFMAN the early silent film. His speciality was an iron immobility of feature
214. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: . EDUCATION IN P H Y S 1 O G N O M I C S In his book on film production, Pudovkin
215. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: scene in Dovzhenko's civil war film Arsenal. The scene shows the lull before the storm, the
216. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: artists of genius in the film, artists of that moving landscape which has not only a
217. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: reason he did not cut, nor skip the intermediate space. In such a film, space is not
218. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: , there was no cutting at all because the style of the film demanded the rhythm of shots
219. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: — this is the third case — we see such a dissolve in a realistic film, then it does not
220. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: film can hear it, turn his face towards the sound and see its source before the audience
