1000 and One--the Blue Book of Non-Theatrical Films (1926)

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Fourth Edition THEATRICAL REVIEWS 99 The Extra Girl (7) A country maiden journeys west to star in the movies, but encounters difficulties. Mabel Normand and a good cast. (Mar. 1924) (II) Fair Week (5) Faintly amusing rural melodrama with Walter Hiers as rustic hero. Constance Wilson, and Earle Metcalfe in support. (May 1924) (VII) The Family Secret (6) Originally "Editha's Burglar." Baby Peggy featured. Children might see it. (May 1925) . (XXVII) The Fast Set (7) A trite story baffling the director's attempts to make anything out of it. (Dec. 1924) (VII) The Fast Worker (7) Reginald Denny contributes a pleasant evening's entertainment, with Laura La Plante, Ethel Grey Terry, Lee Moran, and Richard Tucker assisting. (Jan. 1925) (XXVLT) Feet of Clay (10) One of C. B. DeMille's de luxe pictures with an unusually wild plot. Vera Reynolds and Rod La Rocque. (Dec. 1924) (VII) The Female (5) In South Africa with Betty Compson; one of Cynthia Stockley's. (Dec. 1924) (VII) The Fighting American (6) The" young hero with more pep than good sense has a string of impossible adventures in China. Inane. (Sept. 1925) PTA-f (XXVH) The Fighting Coward (6) Tarkington's satire on the southern "code of honor" deftly and amusingly handled by James Cruze and a good cast including Cull-en Landis, Ernest Torrence, Mary Astor, and Phyllis Haver. (Mav 1924) (vn) Flaming Youth (9) A thorough analysis of the flapper; her times and customs; Colleen Moore as the flapper and Milton Sills as the flapped. (Jan. 1924) (in) Flower of Night (6) Commonplace story of California in the gold days, with Pola Negri as a Spanish girl. (Feb. 1926) (VII) Flowing Gold (8) Story of the oil fields, with adventures, newly rich, and some terrific thrills. Anna Q. Nilsson in a good characterization of an awkward country girl. Milton Sills opposite. (May 1924) (III) Forbidden Paradise (7) Pola Negri and Ernst Lubitsch produce between them a delectable farce, altogether too sophisticated for the young. (Apr. 1925) (VII) Forty Winks (6) A comedy which is put over by the skill of Raymond Griffith. Thoroughly enjoyable. Children. (Apr. 1925) PTA-f FCA-y (VII) The Freshman (7) Harold Lloyd gets some of his most uproarious comedy out of college life, and gives you a thrill or two in addition. Children. (Dec. 1925) PTA-f j FCA-y (II) Friendly Enemies (8) Weber and Fields, surrounded by a good cast and direction, in an enjoyable picture dealing with the German -American and the problem of his divided allegiance during the war. (Sept. 1925) PTA-f (XVIII) Galloping Fish (6) A hodge-podge of nonsense circling around a lady diver's efforts to save her trained seal from the clutches of a sheriff. A few good laughs. Louise Fazenda, Marie Prevost and Syd Chaplin. (Sept. 1924) (in) The Garden of Weeds (6) Betty Compson as the chorus girl with a past. Good support by Warner Baxter and Rockcliffe Fellowes. (Jan. 1925) (VTI) Gerald Cranston's Lady (7) Dull story of a marriage of convenience, with James Kirkwood, Alma Rubens, and Marguerite de la Motte. (Apr. 1925) (IX) Girl Shy (8) A Harold Lloyd comedy which, as usual, is good for everybody. (June 1924) PTA-f (II) Girls Men Forget (6) Much better than the title would indicate, Patsy Ruth Miller is amusing as village cut-up. Johnnie Walker and Alan Hale satisfactory in support. (Jan. 1925) PTA-f (XXXn d) Going Up (7 or 5) Good fun and real thrills with versatile Douglas MacLean as an amateur aviator. Children will enjoy it. (Feb. 1924) FCA-f (n) The Gold Diggers (9) Good entertainment if you are interested in finding out just why, how, and whom the gold-digging chorus lady digs, and in learning that she is quite human after all. (Jan. 1924) (XXVLTI)