1000 and One--the Blue Book of Non-Theatrical Films (1926)

Record Details:

Title:
1000 and One--the Blue Book of Non-Theatrical Films
Date:
1926
Publisher:
Chicago, Educational Screen
Volume:
1000 and One: The Blue Book of Non-Theatrical Films (1926)
Leaf #:
000116
Language:
English
Subjects:
motion pictures, Motion pictures -- Catalogs","Motion pictures in education
Collection:
Non-Theatrical Film
Format:
Books
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Date Added:
October 26, 2023
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

108 THEATRICAL REVIEWS "1000 and One" Through the Dark (8) "Boston Blackie" escapes from prison with the aid of a school girl. A thrilling tale of his efforts to go straight.' Colleen Moore and Forrest Stanley. (Apr. 1924) (XIII) The Thundering Herd (7) Concerning the vanishing buffalo herds of the western plains. Some historical value. (Apr. 1925) FCA-y (VII) Thunder Mountain (8) John Golden's play of circus life. FCA-a (IX) Thy Name is Woman (9) A Spanish tragedy with Barbara La Marr as a siren and Ramon Novarro as her victim. Has its points as a character study. (May 1924) (XIII) Tiger Rose (8) Vivid drama of the far north, concerning a French Canadian girl who protects her fugitive lover from the law. Lenore Ulrich and a good cast. (Jan. 1924) (XXVIII) Tomorrow's Love (6) Frail little comedy of the domestic ups and downs of a young couple. Agnes Ayres and Pat O'Malley. (Mar. 1925) (VII) Tongues of Flame (7) Thomas Meighan as a kind hearted lawyer befriends the Indians. Weak stuff. (Jan. 1925) PTA-f (VII) Too Many Kisses (6) Richard Dix finds romance in Spain. Very light but good enough of its kind. (Sept. 1925) (VII) To the Ladies (7) A good comedy about a wife whose wit and resourcefulness got her husband a good position. Edward Everett Horton, Helen Jerome Eddy, and Theodore Roberts. (June 1924) PTA-y (VII) The Tower of Lies (7) Drab story of peasant life, with Lon Chaney as a demented farmer who imagines himself an emperor. (Jan. 1926) (XIII) Triumph (8) The idle young man loses his money and his position as president of a tin can factory, but starts in again at the bottom and works up. Rod LaRocque and Leatrice Joy. (June 1924) PTA-f (VII) The Trouble with Wives (7) Routine comedy brightened by good performances of Florence Vidor, Ford Sterling and Tom Moore. (Nov. 1925) (VH) The Turmoil (8) Sane and believable version of Booth Tarkington's story of the Middle West — the man who made himself a power in business, and forced his three sons into his ways with varying success. George Hackathorne and Emmett Corrigan head capable cast, (Dec. 1924) (XXVH) $20 A Week (6) A rich man's whimsical adventures as a $20-dollar-a-week clerk. George Arliss contributes one of his finely drawn portraits and some quiet comedy to a rather hit-or-miss story. Edith Roberts, Taylor Holmes, and Ronald Colman. (May 1924) PTA-f (II) Twenty-One (7) Richard Barthelmess and Dorothy MacKaill are natural and refreshing, in this youthful romance. (Mar. 1924) PTA-a (VII) u The Unguarded Hour (7) Milton Sills as an Italian woman hater; Doris Kenyon as the girl who gets around him. Rather silly. (Feb. 1926) (HI) The Unholy Three (7) Unusual story of three ill-assorted companions who enter into a criminal partnership. Distinguished by fine character work of Lon Chaney, Victor MacLaglen, and Harry Earles. (Nov. 1925) PTA-a FCA-a (XHI) Unseeing Eyes (9) Beautiful snow backgrounds for a somewhat artificial story. Seena Owen and Lionel Barrymore. (Jan. 1925) (XHI) V The Vanishing American (10) An epic of the Indian race which, except for a few glaring inaccuracies, is excellently done and very impressive. Richard Dix in a fine characterization, with Lois Wilson and Noah Beery. (Mar. 1926) PTA-f FCA-y (VII) The Virginian (6) Owen Wister's western classic conscientiously screened, with Kenneth Harlan in the title part. Florence Vidor, Pat O'Malley, Russell Simpson, and Raymond Hatton. (Apr. 1924) (XXXn c) w Wages of Virtue (6) Gloria Swanson in a clever character delineation of an Italian girl. Good support from Norman Trevor, Ben Lyon, and Ivan Linow. (Feb. 1925) (Vn) Wanderer of the Wasteland (8) A Zane Grey filmed entirely in color. Well done. Jack Holt, Billie Dove, Noah Beery, and Kathlyn Williams. (Nov. 1924) PTA-f (VII) The Wanters (7) A rich young man marries a servant girl with the usual unhappy results. Well made and entertaining, with Marie Prevost and Robert Ellis. (Jan. 1924) PTA-a (III) The Way of a Girl (6) A bright little satire on the routine movie plot. Eleanor Boardman and Matt Moore. (Sept. 1925) (Xin) The Wedding Song (7) A crook story of some interest with Leatrice Joy, and Robert Ames. (Jan. 1926) (XVIII)