16-mm sound motion pictures : a manual for the professional and the amateur (1953)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

SUBJECT INDEX 575 One-light color dupe work print, 335 One-light reversal dupe work print, 335 Opacity, film, 29 Optical one-to-one sound printing machine, 390 Optical printing machine, 386, 390-392 one-to-one, 386 reducing, 391 Optical reduction, 5, 7 Optical reduction sound printing machine, 392 Optical system, sound recording, variablearea bilateral track, 247 Original film, cutting, 17, 351 edge-notching, 358 making of, 58 picture, 16-mm, 60 consistency of quality, 61 preservation, 356 sizes for 16-mm release prints, 58 splice, 350 Oscillator channel check, 271 Oscillograph, Duddell, 243 string, for light modulation, 242, 243 Oscilloscope, cathode ray, 304 Out-takes, editing, 331 Over-all sound characteristics, 181 quality, factors affecting, 207 response-frequency, recommended ranges, 182, 210 Overdrive of developing machines, 374 Ozaphane, 19, 132 Panning, 13 Parabolic reflector microphones, 234 Paramount-Laport. See 65-mm film. Paul, Eobert, 2 Peak clipping, 298 Peak limiting, 288 Perceived range for music in absence of noise, 173 Perception, hearing, 172 Perception fidelity, complete, 178 Perforating of films, 25 Perspective, 12 of projected picture, 443 viewing, 443-448 Phase distortion, 184, 223, 291 Photocell coupling, 476 Photocell distortion, 473 Photographic recording, 169. See also Recording. Photographic transmission, 29 Physical editing, 329 Picture, developing, 16 duplication, 506 frame size, 442 inspection, 413 printing, 420-424 16-mm from 35-mm, 422 smearing, 406 test of contact printing, 383 and sound records, spacing between, 107 and sound synchronization, 164 work print, 16 Picture detail in color film, 505 Picture machine, continuous contact, 380 386 Picture Moviola, 347 Picture original, quality consistency, 61 Picture projection, recommendations, 484 Piezoelectric crystal microphone, generating systems, 216, 217 Plate, aperture, 157 Polishing roller, 371 Positive developing machine, Fonda, 372, 373 Positive print, measuring for center line, 127 measuring for printer aperture and weave, 129 Positive sound track, bilateral, 247 unilateral unbiased, 205 Post-equalizing, 211 Power output, sound projectors, 496 Preamplifiers, low noise operation, 267 Pre-equalizing, 211 Pre-perforated strip light change, 405 Preservation and storage of film, 355-357 Preservative, film, 371 of a developer bath, 374 Pressure-operated microphones, 219 Print(s), emulsion positions, 139 inspection, 409-411 production planning, 408 quality, 358 release, quality, 18 trial composite, 18 work, 16, 17, 330, 334 Print generations, 194-195, 358, 361 Printed noise, 407 Printing, color, imbibition, 505 effect of machine vibration in, 406 exposure error, 403