Start Over

16-mm sound motion pictures, a manual for the professional and the amateur (1949-55)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

BLACK AND WHITE REVERSAL 43 As the blacks (shadows) and the whites (highlights) have been changed from their inverse relationship such as is found in a still camera negative, the film is known as reversal film and the development method as reversal processing. Reversal films are manufactured in two general types, universal reversal, which may be developed as either a negative or as a reversal at will, and regular reversal, which may be developed only as a reversal Generally speaking, universal reversal films, being intended primarily Gelatin abrasionresistant coating (D) Fast emulsion (B)~ Siow emulsion (A) Film base (E) Anti-curl gelatin backing (non-halation dye incorporated) (C) — — i Fig. 1A. Photomicrograph of the cross section of a modern black-and-white film. This shows (A) the slow emulsion layer adjacent to the base, (B) the fast emulsion layer on top of the slow layer, (C) the anti-curl gelatin backing that contains a dye or a silver deposit to minimize halation, (D) the gelatin protective overcoating that prevents abrasion marks in the emulsion proper and resists abrasion because of its physical hardness, (E) the film base. Negative films and duplicating negative often have the anti-halation dye in the film base rather than in the gelatin backing. The film base is clear if the film is to be used for projection. Duplicating positive films often have a water-soluble yellow dye in the emulsion that is dissolved out of the emulsion when the film is developed. for duplication and not for direct projection, utilize an anti-halation dyed base; regular reversal films, being intended primarily for direct projection and not for duplication, utitize a silver anti-halation undercoating that is removed during development. Reversal films are manufactured in different photographic speeds (exposure indices) ; common values are group 100 and group 50. These are ASA speed ratings given in accord