Victor records (1923)

Number o» C/5 List prc. 18060 10 .75 35230 12 1.25 17476 10 .75 18607 10 .75 55075 12 1.50 88514 12 1.75 16261 10 .75 64217 10 1.25 66049 10 1.25 35668 12 1.25 89127 12 2.00 72812 10 .75 74602 12 1.75 74603 12 1.75 35387 12 1.25 18785 10 .75 64201 10 1.25 VICTOR RECORDS [Remembrance of Gatshina — Valse (Andreeff) Balalaika Orch) l On IVings of Song Imperial Russian Balalaika Court Orchestra ) Reminiscences of Verdi Sousa’s Band Rigoletto, “Della mia incognito,” Act 1 — Rigoletto, "Tuttelefeste,” Act 11— Trovatore, “Miserere” — Traviata, “Dell’ invito trascorsas,” Act I — Traviata, “Libiam nei lied” Dream of Wagner — Fantasie on Wagner’s Operas Pryor’s Band. RENAUD, MAURICE, Baritone (See "Famous Artists” in Pink Sec.) {Rendez-vous — Intermezzo (The Trysting Place) (Kemzak) Victor Or) Wedding of the Rose — Intermezzo ( Jesse l) Conway ’s Band ) {Repasz Band— March (Chas. S. Sweeley) Conway’s Band] General Pershing — March { Vandersloot ) Victor Band) [Requiem Mass in C Minor Latin Victor Oratorio Chorus) l Guide Thou My Steps {From “The Water Carrier”) Werrenrath ) Requiem Mass — Ingemisco (Sadly Groaning) (Verdi) Latin Caruso Hayden Quartet) Hayden Quartet ) Evan Williams Hans Kindler Victor Concert Orch) [Rest for the Weary (McDonald) l Shall We Gather at the River {Lowry) Return of Spring (Robert Schumann) Reverie (Dunkler, Op. 20) V ioloncello [Reverie du soir (“Suite Algerienne”) l Marche Militaire Frangaise {Saint-Saens) Victor Concert Orchestra) Revoltosa, La-Por que de mis ojos (Romance) Spanish Bori-de Segurola Rhapsodie Hongroise — See "Hungarian Rhapsody” Rhyfelgyrch Gwyr Harlech (March of the Men of Harlech) Welsh Glyndwr Male Choir Gypsies’ Laughing Chorus In English Glyndwr Welsh Male Choir. Rienzi Overture — Part I (Wagner) Philadelphia Orchestra Rienzi Overture — Part II (Wagner) Philadelphia Orchestra [Rienzi Overture ( Wagner) Arthur Pryor’s Band) l Walkiire — Magic Fire Spell ( Wagner ) Vessella’s Band) {Rifle Regiment March (Sousa) United States Marine Band) Marine Corps Institute March {Branson) U. S. Marine Band) Rigaudon (Monsigny) Violin Mischa Elman RIGOLETTO {Rig-oh-let' -toh) {Sung In Italian unless otherwise noted) Opera in three acts ; text by Piave, adapted from Hugo’s drama Le Roi s ’Amuse ; music by Verdi. First produced Venice, 1851 ; London, 1853; Paris, 1857 ; N. Y., 1857. The scene is laid in Mantua and vicinity in the sixteenth century. The story tells of the gay and unprincipled Duke of Mantua, who is assisted in his crimes by his jester, Rigoletto, a hunchback. The father of one of the Duke’s victims is mocked by Rigoletto, and launches upon him a father’s awful curse, which stuns and sobers the jester, as he, too, has a daughter, Gilda, unknown to the court. On his way home Rigoletto meets a professional assassin, Sparafucile, who offers, for a price, to kill any enemy he may have. Rigoletto says he may need him later. The Duke, in the guise of a young student, has already met Gilda, not knowing who she is, and the young girl has fallen in love with him. When Rigoletto has left the house the Duke’s courtiers abduct Gilda and take her to the Palace. The father’s rage is terrible to witness, and he goes to the Palace, but too late to save his daughter. She pleads for the Duke’s life, but Rigo¬ letto swears to kill him, and arranges with the assassin, Sparafucile, to accomplish the deed. The Duke is lured to a lonely inn by Sparafucile’ s attractive sister, Maddalena, and is about to be murdered when Maddalena, who has taken a fancy to him, begs for his life. Sparafucile consents provided a substitute should happen along before midnight. Gilda, whom Rigoletto had brought hither (disguised as a page) in order that she might witness the