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VICTOR RECORDS
SILLICH, ARISTODEMO, Bass (Sit -lik) See “Favorita” and “Masked Ball ”
(Silver Bell (Madden-Wenrich) l Winter ( Bryan-Gumble )
f Silver Heels (Moret) Banjo X Keep Off the Grass Banjo
Peerless Quartet)
Hayden Quartet)
Fred Van Eps)
Van Eps)
SILVER, MONROE, Comedian — See “Cohen” and “Rebecca”
Silver Threads Among the Gold (Eben Rexford — Hart Pease Danks) By Julia Culp (Contralto)
By John McCormack (Tenor)
By Maud Powell Violin
By Elsie Baker (Contralto) and When You and l Were Young — Harrison By W. Oakland (Counter-Tenor) and Alice, Where Art Thou — Bourdon-Barone By Ferdinand Himmelreich Piano and Listen to Mocking Bird—Himmelreich By Rosario Bourdon Violoncello and Broken Melody — Bourdon
By Neapolitan Trio and Oh, Promise Me (Robin Hood) Venetian Trio
Si mes vers avaient des ailes (Were My Song with Wings
Provided) (Harp acc.) In French Geraldine Farrar
Simple Confession (Simple Aveu) (Thome)
By Mischa Elman Violin ( Pianoforte by Phillip Gordon)
By Hans Kindler Violoncello
By Neapolitan Trio Violin, Flute, Harp and Sweetest Story Ever Told — Trio Since Jesus Came Into My Heart (McDaniel-Gabriel) Rodeheaverl Sweeter As the Years Go By (Mrs. C. H. Morris) Rodeheaverl
Since Molly Went Away (Stanton-Burleigh) de Gogorza
Since You Went Away (Johnson) McCormack-Kreisler
Sing a Song of Sixpence (2) I Love Little Pussy, etc. E. Wheeler) Humpty Dumpty (2) To Market ( 3 ) Crooked Man, etc. Wheeler I Singer, The (Elsa Maxwell) Frances Alda
Singing Games — See “Educational Records”
Number
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S3 A
16927
10
.75
16266
10
.75
74527
12
1.75
64260
10
1.25
64459
10
1.25
17474
10
.75
16786
10
.75
18245
10
.75
17342
10
.75
17816
10
.75
87348
10
1.25
74515
12
1.75
66011
10
1.25
17143
10
.75
17773
10
.75
64624
10
1.25
87573
10
1.50
18076
10
.75
66093
10
1.25
SINGING LESSONS— The Oscar Saenger Course
The Oscar Saenger Course in Vocal Train¬ ing is a practical, efficient system for teaching people to sing. It is based on the simplest and most direct principle of all teaching, which for the first time is now applied to singing in a new and original way.
No matter where they may live, all those who wish to sing may now learn to do so under the direction of a master who is credited with having entered more pupils upon successful operatic, oratorio or concert careers than has any other teacher in the United States.
The course consists of ten double-faced Victor records, which provide twenty lessons in vocalization. There is a separate set for each of the following five voices: Soprano, MezzoSoprano, Tenor, Baritone and Bass. In the Mezzo-Soprano there are special instructions for the training of children's voices.
With each set of records for any of the above voices there is also provided a textbook of supplementary information for the student, which